Everyone has a secret. Well, mine isn’t exactly a secret. I just haven’t got around to sharing my passion for history and almost anything retro. This hasn’t been a conscious omission. I’ve simply been writing about other stuff. Besides, it’s a bit like stating the obvious.
You see, when you visit our place, there’s a Morris Minor parked out the front. There are rows of antique bone china tea cups which have broken out of the display cabinet and have started to wander. Old, black & white family photos peer through ornately carved, antique wooden frames and my computer is perched on top of an old oak desk with a gorgeous wood grain finish.
Being the eternal good Samaritan, I’m forever salvaging the past from our local charity or “op” shops as we call them. Indeed, you could say that I’m quite the “archaeologist” or even that I’m “kind to the homeless”. While I do have dogged persistence, most of my “finds” are beyond coincidence and were clearly: “serendipity” or “meant to be”. I had to take them home!!
Anyway, while my greatest archaeological weaknesses is vintage tea cups closely followed by illustrated books and cookbooks, another love of mine is collecting old magazines, which is quite odd in a way because I rarely buy contemporary magazines at all. My most cherished magazines are copies of the Australian Women’s Weekly dating back to the 1950s, which I picked up from an antique shop in the Queensland country town of Marburg, where my mother spent some years as a child. I love really getting into how people lived in “the olden days”.
Australia Day Wishes 1988.
Recently, I came across a new find for my collection. It was an Australian Women’s Weekly dating back to January 1988. That’s now 24 years ago. While it is not as old as my other editions, it was the “Bicentennial Souvenir: Special Collector’s Edition”, which celebrated Australia’s “200th Birthday”. The Bicentenary was a very special time in Australia’s history when we really thought about our identity as a nation and there were all sorts of special events as well as much sorrow.
Personally, 1988 was also a very special year. You see, I’d left school at the end of 1987 and you could say life began in March 1988, when I walked through the gates of Sydney University and discovered a social whirl like none other. Aside from having my heart broken by my high school sweetheart, 1988 was a jolly good year!
While the magazine has much to say about the bicentenary, I’ll get to that after further research. I’m sure you can appreciate that any national celebration of that magnitude was “complex”. Meanwhile, I just want to bask in the light of the glorious 80s and soak up the social, fashion and technological changes and let the good times roll back.
Charles & Di: a great modern tragedy.
With a touch of schadenfreude, I opened up my Women’s Weekly to find the usual suspects, Diana and Charles, who were guests of honour for the Bicentenary. The headline read: “What will Australia see this time…Diana: Royal Charmer or Spoilt Princess?” After finding this little gem, I would probably advise royal reporter Ingrid Seward to stick to journalism as she makes a lousy clairvoyant: “If the fairytale royal romance were going to crack apart, overheated in the furnace of public scrutiny, it would be now. But it hasn’t. And it won’t.”
This, of course, is one of the disadvantages of getting published. Your words really are set in stone and can indeed come back to haunt you.
Not unsurprisingly,fashion was hot.
Style Icon Lady Sonia McMahon 1988
I came across an interesting feature called “Women of Style”, where they interviewed Australian style icons about their views on Australian fashion. Not unsurprisingly, Lady Sonia McMahon, wife of former Australian Prime Minister Sir Billy McMahon and mother of actor Julian McMahon, was interviewed.
Lady Mc Mahon had climbed to fashion royalty in 1971 when, as the wife of Australian Prime Minster Sir Billy McMahon, she wore “that dress” to a reception held by US President Richard Nixon at the White House. The daring dress was split both sides to the armpits though held together by rhinestones about two centimetres apart from the waist up. While the dress appears quite revealing, it was actually lined with a pantyhose-type, flesh-coloured fabric.
Sonia McMahon in THAT dress at the White House.
Apparently, Lady McMahon was too impressed with how Australian women were dressing in the 80s. “She (Lady McMahon) used to think Australian women were among the best dressed in the world. But then came the jeans revolution and women relaxed- something Lady McMahon does not approve of. Smart clothes, she says, make a smart woman. Neatness and attention to detail, which some women are born with, but Lady McMahon says can be learnt, are paramount to style”. (I can’t help wondering what Lady McMahon would think of the current girl’s fashion…denim short shorts…)
While Dame Edna Everage wearing a signature piece of Australiana
Meanwhile, not one to be outdone in the fashion stakes, Dame Edna Everage also featured in fashion pages in: What Dame Edna is Wearing Overseas. If you haven’t encountered Dame Edna before, she has a certain je ne sais quoi, which completely defies any kind of interpretation. As my daughter said when I introduced her to Dame Edna tonight: “What kind of person is she?”
Only Dame Edna could manage to incorporate the Auistralian flag and a 3D version of the Sydney Opera House into a frock.
In contrast to Lady McMahon’s classic elegance, Dame Edna is wearing a garish canary yellow outfit with two koalas up a gum tree. As if that wasn’t bad enough, she’s also pictured wearing a blue dress with the Australian flag sequined on the bodice. But wait!!! It gets worse. I just noticed that the white starchy collar is actually the Sydney Opera House. Yikes!!! Hasn’t she ever heard that less is more? Oh my goodness!! I can feel some kind of severe anaphylactic reaction setting in. Oh! I mean… there’s the pink hair, purple hair and I’m not even going to discuss the glasses…Oh my goodness. There just aren’t enough superlatives to do Dame Edna any kind of justice whatsoever!! She just has to be the most truly cringe-worthy, “national symbol” EVER!!!!!
The big question I have is this: Who allowed Dame Edna to leave the country dressed like that and why on earth did a magazine like the Australian Women’s Weekly publish the evidence?
Quite frankly, someone should have grabbed Dame Edna by the horns and told her in no uncertain terms: “Go to your room. You’re not leaving the house looking like that!!!” I know fashion was a bit out there in the 80’s but I’m flabbergasted.
Indeed, when it comes to managing Dame Edna stronger measures would have been required. The fact that she ended up overseas dressed like that and representing our country makes her fashion choices a matter of national security. She was destroying our National Credibility Rating (NCR). What with those crazy outfits, the pink and purple hair and all her “hello possums” and parading around as Australian royalty, she was a national embarrassment.
I understand that customs usually stop undesirables from entering into a country but couldn’t they have done something to stop her from getting out??? Anything!!!
Of course, there are the fashion police. If ever there was a case demanding their expert attention, this was it. They should have locked her up and thrown away the key! absolutely!! Sentenced her to life imprisonment rather than let her flaunt her peculiar fashions overseas and in The Weekly.
Yet, as much as Dame Edna has that incredible cringe factor, for some strange reason, we still love her even though we want to hit her with the nearest fly swat!!!
Gee, I hope Dame Edna never gets hold of Lady McMahon’s “dress” from the Powerhouse Museum. Seeing the epitome of kitsch dressed as the epitome of style would be the outrage to end all outrages…especially as I doubt Dame Edna has ever shaved her legs!!
Moving on from fashion, I also found an interview with then 60 Minutes journalist Jana Wendt. Among other topics, she was responding to a magazine article which appeared two weeks after the birth of her son, Daniel. The article had implied that Jana was “afraid of motherhood” and was fearful that motherhood would make her less effective as a journalist. She had not been consulted for this article and explained: “I can’t believe that any responsible journalist, who supposedly values the qualities of motherhood, would come out and try to undermine a working woman’s life by saying that, just because she’s had a child, she’s somehow going to be different, or unprofessional, or, all of a sudden, softer in her interviewing technique. The prejudice that women often lay at the feet of men- well, I think some women should examine themselves for that prejudice because it’s clearly there.”…
“Your priorities do change when you have a child. Not your personal priorities but the fact that your lifestyle has to accommodate another person.You have somehow to work out how you’re going to make that person happy and contented so, yes, it did- or is- taking a lot of thought and I’ve no intention of stopping work at all. My work is very important to me and it makes me a complete person. I don’t think I’d be very successful at just sitting at home,” Jana said.
I personally have mixed views about Jana’s comments. I wholeheartedly support her desire to combine motherhood and career but her assertion that full time parents are just “sitting down” is poorly informed. They’d be lucky enough to sit down long enough to get through a cup of tea uninterrupted.
Another point of interest was a joint photography feature between the Australian Women’s Weekly and Fuji Film: How to Take Perfect Photos…Every Time!
Of course, this was written before digital photography when cameras used film and you couldn’t see how your photo had turned out until you’d had them processed. That’s right. There was a door on the back of your camera for putting in the film and not a screen. You also had to choose the right speed of film and you couldn’t switch easily between colour and black and white either. Photography was a lot more conscious than it is now. You really did need to try to set your shot up well and get it right before you took it, rather than checking as you go. This feature also suggested that if you were traveling and wanted to remember characteristic sound effects, you could take along a small cassette recorder. Now, that really starts to date the magazine.I’d imagine that if we could travel backwards in time and tell them we’re taking selfies on our mobile phones, they’d tell us: “You’re dreaming.”
I also came across this photo of a computer 1988 style:
Computers 1980s style…a terminal connected to a mainframe.
However, as much as things have changed since January, 1988, some things have also stayed the same.
Thank goodness for Sao biscuits!!
Thank goodness some things never change!!
I don’t know if I really miss the 80’s but wouldn’t it be great to be 18 again for just one day!!
Yes, I’d have a lot to say to my 18 year old self!! What about you?
xx Rowena
Sources:
The Australian Women’s Weekly, January, 1988.
Beyond the Flow 