“Being born in a duck yard does not matter, if only you are hatched from a swan’s egg.”
– Hans Christian Andersen
On Saturday, we were lined up in our seats anxiously waiting for the curtain to rise. Our daughter was performing in Swan Lake & Beyond with the Central Dance Company at the Wyong Art House, North of Sydney. Not only that, she was going to be a swan and I couldn’t wait to see her appear like an apparition in that voluminous white tutu elegantly flapping her wings across the stage.
There is such an absolute silence…that pregnant pause… just before the curtain rises which seemingly lasts for eternity. We, the audience, is waiting in suspended animation, while anything could be happening behind the curtain. Like a bolt of lightening, the curtain rises and an explosion of colour, movement and sound grips our senses. We’re not on Swan Lake yet. Rather, the opening number is called Hooked on Tchaikovsky. The music reminded me of a cassette we used to have: Hooked On Classics. Those of you of a certain age, might recall it. Otherwise, just think of fast-paced classics. I don’t know what to say about the dancing, except that I was wowed and I remember actively trying to expand my perception to take it all in, as I’m better at focusing in on a detail than absorbing the entire scene.
Keeping track of our daughter during the opening number was difficult. Given their hairstyles and costumes were identical, all the dancers almost looked the same, and unless your dancer is extremely tall or short, it was down to hair colour. I always find my daughter has an identical twin in these performances and I forever mix them up. Once I spot her, that’s it. I have to keep my eyes fixed and I can’t even blink just in case I lose her. That’s why I’ve booked myself in to watch all three shoes. I figured I’d only be watching our daughter for the first show, and could then take in more of the bigger picture for shows two and three. After all, I do want to see the show in all its glory and not only through my blinkered, crazed-Mum-vision. Besides, the third show will also be at a different venue and I don’t want to miss whatever that means and that show will also be the finale. Besides, I know I’m not fooling anyone. We all know I’m a parent tragic gazing longingly up at our daughter as though she’s the star in the night sky. However, I make no apologies for that. Every performer needs their greatest fans. It’s not easy getting up on stage with a million and one things on your mind and having to hold it together on the pointe of your shoe. You need to know someone believes in you, especially when you’re pushing through into so many new frontiers, which are all deliriously exciting but equally terrifying and formidable.
“He had danced with fair maidens before, but Odette was different. She was graceful and beautiful, but there was something in her eyes and in the things she said, an intelligence and a boldness that belied her quiet demeanor.”
However, this is not a review of the show or even our daughter’s performance within. I know professional critics do it all the time. However, I haven’t yet mastered the ability to condense something so mind-blowingly spectacular into a handful of words. I make no apologies for that. After all, Swan Lake is silent. There are no words at all. Yet, even as a wordsmith, I didn’t even notice they were missing because the movements and expressions of the dancers along with Tchaikovsky’s incredible music said it all. I was transfixed.
Yet, within all of the movement and the spectacular music, there was our daughter. Finally, almost at the end of the show, she appeared from left stage in her white tutu and she was a swan. You’d think I would’ve etched those moments into my retina forever so I could just pull up a seat and play it again Sam over and over again. However, I was also dazzled by the performances of the featured artists. There was Rebecca Petty as Odette and Cieran Edinger as Siegfried and I would have fallen deeply into their intoxicating love story if it hadn’t been for the diabolical Von Rothbart (played by Gary Bowles) who kept tearing them apart. Gary played this dastardly villain hauntingly well and had me shaking in my shoes, even though I’ve met him quite a few times at rehearsals.
However, all too soon, the performance was over and we were left at Stage Door holding our flowers waiting for our daughter to appear. This reminded me of waiting at Arrivals at the International Airport where you’re waiting for this person you haven’t seen for a very long time to appear. However, there’s this dribble of people coming through and you’re waiting and waiting. When they finally appear, there’s almost an explosion of emotion. That uncurtailed excitement! No doubt that weary traveller was not unlike our petite ballerina who just wanted to get to bed and rest her feet. Well, she did have a her tales to tell and agreed to a few photographs, which wasn’t going to be a given. It wasn’t quite “Go straight to be, directly to bed. Do not pass go. Do not collect $200.00”.
As we were driving home, I could almost shed a sigh of relief. The first two shows were done and dusted, and there’d barely been a ripple in the pond. Indeed, we were floating along on swan lake.
PS I hope to get a photo of our daughter in her Swan Lake tutu soon.