Tag Archives: history

Retracing the Footsteps of Our Cycling Champion.

On Thursday, I caught the train to Marrickville in Sydney’s Inner West to retrace the footsteps (or should I say wheels tracks) of world cycling champion Cecil Walker, who was my grandfather-in-law’s first cousin. Although I’ve read countless newspaper articles about his career, I also wanted to walk the streets where he walked and cycled to get a sense of the man in his own environment when he was still a fish in his own pond before he leaped into the  big pond of American cycling at the Newark Velodrome.

While reading about his wins was exciting, I’m much more interested in finding out about his early, formative years and what it took to reach the top. How did he do it? Was it just hard work or was he superhuman in some way? I was curious, and this is the sort of insight which could be very helpful to our kids. After all, it’s one thing for a random stranger to be your hero. It’s quite another when someone inspirational shares at least some of your DNA. I thought it could be a mighty encouragement.

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Herbert William Brooker, Geoff’s Grandfather with his bike in Tasmania. He seems to look quite a lot like like his cousin, Cecil Walker. 

This is the Cecil Walker I particularly wanted to share with my teenage kids, so they understand that success doesn’t arrive on a silver platter. That it takes hours and hours of grueling hard work, talent, strategy, a solid dose of rat cunning and the X factor to boot whatever that might be. That’s not to overwhelm and discourage them, but its easy for kids to look at adults and not realize what it took to get there. They might not become world champion cyclists but hopefully they won’t end up face down in the mud unable to face another defeat either (Me too!!).

William Joseph Cecil Walker was born in 1898 in Marrickville to parents Catherine O’Maley and Joseph Elezer Walker. His father had a grocery store on the corner of Victoria and Sydenham Roads, Marrickville. Cecil was working in his father’s store and went from making deliveries on his bike to joining the the Marrickville Cycling Club. After a shaky start, success followed success and while he was expected to compete in the 1920 Paris Olympics, he turned professional and left for USA in 1920.

Cecil Walker Maddison Square Gardens

In an interview in 1939, he reflected:

“WHILE I was as keen as a new razor to get a break in the bike racing game in America, I must confess that the main reason for my deciding on a trip to the land of skyscrapers was to escape becoming a “hand” in my dad’s grocery store at Marrickville, Sydney. It was a big gamble. With such mighty Aussies as Alf Goullet, Reg McNamara, Alf Grenda and Frank Corry already holding high places in America, and a brilliant collection of home and European anklers on hand to meet the demands of the cycling fans there, the market of peddling wares seemed very much glutted. However, I figured that if I was eventually to go back to go back to weighing up sugar and butter I would have the satisfaction of knowing that at least I made a valiant attempt to escape such a fate.1.”

Marrickville Station

By the time the train pulled into Marrickville Station, it was early afternoon. As you may be aware, I love going on random walking tours with my camera where I aim for a general direction and follow the lens where it leads. Today, I was aiming to find the location of the grocery store, even though it’s been knocked down. However, I wanted to walk around the block and when I checked out the map, I noticed there was a park across the road. I also wanted to walk along the Cook’s River. Lastly, I’d left a message for a school friend hoping we could shift our friendship out of Facebook and back into the real world. So, even though my trip was rather unstructured, surely something would pan out!!

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More wisdom on the walls of Marrickville than from the mouths of our politicians.

However, as I exited Marrickville Station, the street didn’t look right. I’ve driven through Marrickville before and I’d expected a busy road with loads of multicultural eateries. This wasn’t it. I figured that if I went left I’d end up at the river and if I went right, I’d find the grocery store. However, I didn’t factor in my inimitable capacity for getting lost. Well, not exactly being lost, but not being where I intended to be either. Indeed, I’d got right off the grid.

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These gorgeous pooches from Australia Street Stained Glass eventually posed for the camera.

So, as much as walking around on foot is the best way to explore a place, I was mighty grateful when my friend responded and rescued me from my misguided wanderings in her 4WD. Then, as we’re heading for a cafe, I finally see a familiar site. It’s spot where the grocery store once stood. I recognized it from Google Earth. 

Above: The Henson, Marrickville.

After we stopped off at a cafe for a late lunch, we picked up my friend’s dog and headed off to Beaman Park, which runs alongside the Cook’s River and is actually in the adjacent suburb of Earlwood.

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By this stage, I had no idea where I was. You know how it is when you’re sitting in the passenger seat nodding your head. However, my friend was doing a superb job of taking care of Paddington Bear and showing me around pointing out how these seemingly disparate bits of Marrickville fitted together.

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That was how I found myself deposited at Sydenham Station to make my way home. By this stage it was dark and a large, all but full moon was rising above the tracks and into the night sky.

It had been a wonderful day, even if it went to prove one of my favourite quotes:

“Life is what happens to you while you’re busy making other plans.” 

John Lennon & Allen Saunders 

Best wishes,

Rowena

Sources

  1. Sporting Globe (Melbourne, Vic. : 1922 – 1954), Saturday 21 January 1939, page 8

Bangalow Doors…Thursday Doors.

Welcome to Thursday Doors!

Today, we’re off on an exciting doorscursion through village of Bangalow. Self-described as “a bit above Byron”, Bangalow is a historic rural town located 13 km west of Byron Bay, 758 km north of Sydney and 165 km south of Brisbane. Moreover, just in case you have absolutely no sense of direction or geography whatsoever, we’re in Australia. I try never to take that for granted. Just because I know where I am, it doesn’t mean you’re in the know. I was here exploring Bangalow while my husband and I were staying at nearby Newrybar with his sister while the kids were away at the Australian Scouting Jamboree in Adelaide.

Our Walk is starting at Bangalow Museum on the corner of Ashton and Deacon Street on the left just as you drive into town. While every old building hasa past, this house has more of a past than most and indeed, wasn’t built at its current location. Rather this traditional Queenslander-style home, was built in 1920 at Brunswick Heads and in its last incarnation, was a brothel. Indeed, just inside what now the front entrqance, there’s a pegboard with hooks for the brothel workers room keys, which their names still attached…Cuddles, Shiela (spent wrong), Rosey and Zoey. This allowed the brother manager to quickly ascertain who’s in and who’s out. I’ve been told that many blokes who join their wives on the museum tour doesn’t seem that interested, but when they hear it was a brothel, it’s like the “walls had ears” and I* dare say, eyes as well!

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Heritage House, Bangalow.

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Verandah, and front door Bangalow Museum.

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Residence on the main road, which is currently under renovation in preparation for going on the market.

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Abracadabra…a view through the window.

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This art gallery, which has been here as long as I remember has closed it’s doors, and it’s former occupants have sought greener pastures in Tasmania.

 

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I’d love to know the story behind these doors. Where did they come from?

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Above: Island Luxe – 62 Byron Street, Bangalow. THese doors also intrigue me. They’re magnificent.

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Bangalow Hotel

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Pink Flamingo Pool Toy in a ute parked outside the Bangalow Hotel.

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Wax Jambu

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The Julian Edwards Gallery, Bangalow.

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Bangalow Pharmacy and on the right hand side, you can see the remnants of an old Kodak advertisement.

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Above: The Country Women’s Association (CWA) Store.

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Loved the Sign for Town Cafe Restaurant.

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Town Cafe Restaurant. I loved the tile patterns out the front too.

Above: Polish Bangalow at the Masonic Hall, 14 Station Street, Bangalow, just off the main road.

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A motor bike parked outside Bangalow Presbyterian Church in Market Street.

Although I have tried to keep these doors somewhat in sequence walking up and back down the main road, I had to save the best til last…The Red Phone Box.

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By the way, if you’d like to read more about Bangalow and its history, you can read  Walking Through Bangalow’s Past.

This has been another contribution to Thursday Doors hosted by Norm 2.0. Why don’t you come and join us and share a few of your favourite doors. It’s a lot of fun and helps you see parts of the world you’ll never get to visit.

Best wishes,

Rowena

Weekend Coffee Share…12th November, 2018.

Welcome to Another Weekend Coffee Share!

Well, I have to warn you upfront that last week wasn’t the best and was actually rather difficult. However, it improved as it went on and I was filled with an over-riding sense of gratitude. An appreciation of the love and support that people have given us. I’m also quite conscious of how different things might’ve been, which suddenly made everything look rosy especially after the general anaethesetic.

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It’s funny how just putting on the hospital whites makes me look like I’m on death’s door.

Last Thursday, I had an endoscopy and colonoscopy at Royal North Shore Hospital in Sydney. The results were fine and I didn’t expect anything nasty. Yet, I guess there’s always that caution when they send the camera where the sun don’t shine. By the way, I’d like to encourage anyone who has been putting off have either of these procedures to face the music. I’d heard horror stories about taking the stuff and let’s face it, most of us are rather private about our privates. However, I was knocked out for the procedure and it was worth it for the peace of mind.

However, the lead up to the colonoscopy was quite stressful. I was freaking out about stuffing up the preparations. In hindsight, they’re not that complicated but I was quite worried I’d forget and eat something I shouldn’t. However, I was on my best behaviour and a good little Vegemite after all. No dramas.

Unfortunately, one of my kids became quite stressed about the whole thing and let’s just say “needed to have a chat”. This resulted in a day waiting for him to be assessed by which point, he was fine and had perked up. Meanwhile, I couldn’t find a parking spot at the hospital and was driving round and round the multi-storey carpark. Not finding anything, I was heading back down and hit a concrete divider on the exit ramp. Talk about things going from bad to worse. I’d cracked the radiator and my kid tells me that the engine’s on fire and smoke’s rising out of the bonnet. By this point, I was totally paralyzed, numb and couldn’t even consider where the hazard lights or the button for the bonnet were located. Fortunately, child stepped in and went for help. Don’t laugh but the tow truck was already there! Problem solved. Car parked.

 

I felt absolutely shell-shocked after all of that and am still in recovery mode. We went to a friend’s place for a birthday Friday night and that was fantastic and yesterday I was on duty at the sailing club.Well, somewhat on duty. I ended up sitting upstairs in the restaurant venting my spleen in ink. I also managed to get some photos of Geoff on his sailing course. I really wished I could’ve been out there sailing as well but these small boats are too much for me physically and I need more of a champagne yachting experience.

While I was at the hospital, I managed to finish a fantastic book by investigative journalist, Leigh Sales, called: Any Ordinary Day. It looks at how people respond to extreme trauma and also looks at the interaction between chance and destiny. It really got up close and personal to a series of truly shocking tragedies and unravelled at least some of the threads. I highly recommend it!

 

In terms of blogging last week, for Thursday Doors I walked up Bridge Street, Sydney up to the Sydney Conservatorium of Music, a route my mother followed for many years as a music student at the Con: Bridge Street Sydney- Thursday Doors.As I was walking up the hill, I particularly noticed the imposing clock tower peering over the Department of Lands building and thought of my mother and other students racing up the hill and being taunted by the clock: “You’re late! Late for an important date!” I also participated in Friday fictioneers with Barking Up the Wrong Tree

Well, I feel myself running out of steam now so I’ll head off. How was your week? I hope you have a good one.

This has been another Weekend Coffee Share, hosted by Eclectic Alli.

Best wishes,

Rowena

 

 

Bridge Street, Sydney…Thursday Doors.

Welcome back to to Another Thursday Doors.

Before we touch down in the Sydney CBD, I thought I’d better give you a map and help you get your bearings.

Map of The Rocks NSW 2000

You might recall that last week I attended concert pianist Gerard Willems Twilight Recital at the Sydney Conservatorium of Music with my parents. On the way, I went on a detour (or “Doorscursion”) via The Rocks and then walked up Bridge Street to the “Con”. Last week, I shared The Rocks leg of the journey and this week, I’m taking you from George Street to the Conservatorium via Bridge Street.

Bridge Street isn’t one of Sydney’s most famous streets. Yet, although in this instance it was getting me from A to B, I was also retracing my mother’s footsteps on this journey. As a student back in the 60s, she used to walk up Bridge Street on her way to the Sydney Conservatorium of Music. I could picture her almost running up Bridge Street possibly even running a bit late, especially when I spotted the imposing clock face peering down in judgement from the Public Lands Building. So, it was special to walk up Bridge Street and feel her with me, particularly as Mum and Dad were both meeting up with me at the concert. It was much more enjoyable to be able to do this walk while she’s still living than as a memorial.

So, I was just lucky that Bridge Street had such a plethora of stunning sandstone colonial buildings and some pretty photogenic doors. That said, there was also much to distract me. Bridge Street is full of history and so much phenomenal architecture.

Only 500metres long, Bridge Street is one of Sydney’s earliest streets, and started out as a path from the Governor’s house (then in what became Bridge Street) to the Military Barracks in Wynyard. It was named after the first bridge built over Tank Stream. By the way, for those of you not familiar with the Tank Stream, when Captain Arthur Phillip sailed into Sydney Harbour in January 1788, searching for a new settlement site, one of his main requirements was a reliable fresh water supply. As he sailed around Bennelong Point, now the site of the Sydney Opera House, he saw a wide-mouthed stream running into Sydney Harbour. At high tide, the water was deep enough for schooners to go as far as present-day Bridge Street. Here Phillip established the new colony, the new city and the beginnings of European Australia. Unfortunately, the Tank Stream has long been a storm water drain (Source: Sydney Water

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The Metropolitan Hotel, 1 Bridge Street.

Our Journey begins at No. 1 Bridge Street…the Metropolitan Hotel, which unfortunately has a McDonald’s downstairs so no great door photographing opportunities here.

 

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Burns Philp Building  7 Bridge Street, Sydney. Built 1901.

While the Burns Philp building is incredibly grand and held my attention, my roving eye was soon drawn away by the magnificent clock tower across the road, which is perched so graciously above the Department of Lands Building at 22-33 Bridge Street.

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The Department of Lands Building

Large public clocks like these always intrigue me and too often loom over me as a bad omen: “I’m late! I’m late! Late for an important date.” Or worse still I remember waiting on Town Hall Steps on a Saturday night in my youth waiting to meet a date and there’s always that fear that they’re not going to show up and that preoccupation with the clock. I also think of how these clocks have withstood time and so many people must’ve walked up and down Bridge Street under the shadow of this clock and while they have passed on, it is still here.

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However, I’ve allowed myself to be distracted. I’m supposed to be focusing on doors instead of clocks. So, let me just close the door on that meandering train of thought and we’ll keep walking.

Well, it looks like I haven’t found a door at the Department of Lands yet. So, you’ll just have to hold onto that thought for a bit longer.

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Here it is. Front Door, Department of Lands Building, Bridge Street, Sydney.

Across the road from the Department of Lands Building, we come to Macquarie Place. Again, I apologize for a conspicuous absence of doors here. However, as many of you will agree, it seems a bit rude not to include door-free landmarks we stumble across along the way. Indeed, I don’t know about you, but I feel a bit rude saying something along the lines of:  “Sorry, I can’t mention you because you’re not a door.”

Anyway, getting back to Macquarie Place… It’s a small triangle of land which was formalised as an open space with the erection of an obelisk in 1818 by Governor Macquarie to mark the place from which public roads in the colony were measured. A sandstone Doric fountain was also erected the following year. A sandstone dwarf wall and iron palisade fence were built around the site, and although the railings were removed between 1905 and 1910, part of the wall remains. While this area was rather spacious back in the day, it now looks small, overcrowded and when you see the obelisk, you can’t help wondering what on earth it’s doing there.

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The Obelisk, Macquarie Place, in 1926.

As I’m walking up Bridge Street, it was pretty hard not to notice The Gallipoli Club which is under construction and fenced off by some rather bright and colourful murals, which are rather out of keeping with the more traditional, surrounding architecture.  Positioned alongside grand sandstone buildings, these murals stand out and look fantastic as a temporary thing. As much as blending the old and the new can be quite effective, I also think it’s good to preserve the character of a place, especially in Sydney where we don’t have a lot of historic buildings of this calibre.

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The Gallipoli Club, Loftus Street, Sydney just off Bridge Street.

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Construction Entrance, The Gallipoli Club.

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I have always loved these quaint terrace houses located at 39-47 Phillip Street, on the corner of Bridge and Phillip Streets. Built in 1867-9, they look like something time forgot surrounded by soaring skyscapers and even pre-date the imposing sandstone buildings nearby.

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The Industrial Relations Commission

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Southern Cross University at 117 Macquarie Street.

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Hotel Intercontinental, 117 Macquarie Street and on the corner of Bridge Street. The InterContinental Sydney rests within the Treasury Building of 1851 – the first purpose-built government office in Sydney.

From the Intercontinental, it’s just a short walk across the road to arrive at the Sydney Conservatorium of Music.

I hope you enjoyed this doorscursion along Bridge Street to the Sydney Conservatorium of Music, even if my definition of door was rather broad this week. I certainly enjoyed my photographic walk. However, as I was putting this together, I realized just how rushed and incomplete it was. That said, I’ve put a lot of work into this chunk of the story. Of course, you could write a book about all the magnificent buildings in Bridge Street and their stories, but I’ll leave that for someone else.

This has been another contribution to Thursday Doors hosted by Norm 2.0. Why don’t you come and join us and share a few of your favourite doors. It’s a lot of fun and helps you see parts of the world you’ll never get to visit.

I’m now off to make myself a cup of decaf tea and head to bed.

Best wishes,

Rowena

Featured image: The Powerhouse Museum, Sydney.

Back to “The Con”…the Sydney Conservatorium of Music.

As you may recall, a few weeks ago I went back to Sydney University for the first time in decades. Well, last Wednesday night, I  found myself back at the Sydney Conservatorium of Music doing the time warp again. This time, I was attending concert pianist, Gerard Willems’ Twilight Recital, which marked his retirement from full-time teaching at the Con.

While it only seems like yesterday, I haven’t been back to the Con since my grandmother’s Twilight Recital around 30 years ago. At the time, I was in the throws of leaving school, but now I’m married with two kids and our eldest isn’t terribly far off leaving school himself. So, clearly a lot of water’s flowed under the bridge, and even much of the landscape has been swept away by the tide. Yet, I still felt remarkably at home.

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Gerard Willems and his former teacher, Nada Brissenden.

By the way, I wasn’t just attending this concert out of interest. Gerard is almost an extended member of the family via one of my mother’s “secret societies”. Mum and Gerard both attended Wollongong Selective High School and learned the piano from  Nada Brissenden who, along with her husband Harold, introduced Suzuki Music to Australia. Mum was a year ahead of Gerard, and their paths have crossed over the years, which included studying piano at the Con. There was also a rather significant-to-me soiree which my grandmother Eunice Gardiner put on to give Gerard further performance experience. Not that Gerard was one of her pupils. Rather, he was studying under Gordon Watson. This soiree was also interesting because Australian authors Ruth Park and her husband D’Arcy Niland were there. Knowing Mum knew Gerard and possibly also because she had some single sons, my grandmother also invited my mother to the soiree. So, it was actually Gerard who first introduced my parents at Lindfield Station for the very first time on Sunday 26th March, 1967. That’s a connection you never forget and was brought up again recently at my parents’ 50th Wedding Anniversary.  There’s still is a group of Mrs Brissenden’s former students who get together, forming an extended musical family of sorts. After all, you have your genetic family but as a musician you also have your musical family.

However, I also had an ulterior motive for going back to the Con. I wanted to revisit my grandmother’s old studio. See if I could find my way through the old rabbit warren and back to her door. I remember going in there as a young child after visiting my grandfather who had a dental practice in nearby Macquarie Street. The Con itself was stark white back then and I remember some weird story about how they cleaned it using Coca Cola. I remember going up some stairs and along a longish corridoor and there was a grand piano in the room. Dad told me that it overlooked the Botanical Gardens. So, that narrowed things down quite a lot. So, I planned to arrive quite early for the concert to ensure no regrets.

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A Sign Promoting one of my grandmother’s concerts at the Con around 1960.

By the way, the Conservatorium building is famous in its own right. In 1815, Governor Lachlan Macquarie commissioned ex-convict Francis Greenway to design the government stables. Macquarie had a grand architectural vision for the fledgling colony and what emerged was more of a “Palace for Horses”  in the Old Colonial Gothick style. Indeed, it reminds me of  Mad King Ludwig of Bavaria’s architectural extravagance. The cost and apparent extravagance was one of the reasons Governor Macquarie was recalled to England. In 1916, the building was extensively renovated and the Sydney Conservatorium of Music was established under directorship of Belgian conductor and violinist, Henri Verbrugghen, with the aim of ‘providing tuition of a standard at least equal to that of the leading European Conservatoriums’.

As I said, it’s been 30 years since I was last at the Con. For better or worse, a massive extension has been built and the original building has had an extensive facelift. Of course, it’s been tastefully done and if I didn’t have an intense personal attachment to the original, I’d only be impressed.

However, as much as I know we couldn’t let the old girl fall apart and that the building itself is representing Australian classical music on the world stage, a facelift is still a facelift. I miss the white paint. The cracks, wrinkles and crooked appearance. Indeed, I’d love to wipe all the beige away and bring her back out of her glamorous shell…even if only long enough to take a photo and then send her back to sleep.

The ticket office is in the new part of the Con and I noticed a sign saying “No Public Admittance” where I’m needing to access my grandmother’s studio. However, as soon as I explained the situation, I was granted access and off I hopped with my camera. I was so excited, even though I was warned that it had changed and the “rabbit’s warren was gone”. Dad had also told me that her studio looked out onto the Botanic Gardens, which narrowed things down quite a lot. I climbed up the stairs and slowly walked along the corridoor. I could hear piano music on my right and saw a grand piano through the window. Her room was further along from memory but very soon I was distracted by the sound of a violin tuning up downstairs. I found it rather strange than when I, the closet violinist come back retracing my grandmother’s footsteps, a violinist was playing. (As it turned out this was  Evgeny Sorkin who played Beethoven’s Sonata for Piano and Violin in D Major Op. 12 No. 1. with Gerard during the concert.

Yet, the main reason I was at the Con was to attend this concert. So, we’d better head upstairs into the gallery where I had an absolutely fabulous seat with a bird’s eye view. Verbruggen Hall seats around 550 people and as far as I could tell, everyone there loved Gerard, not just as a pianist but as a person. He exudes such warmth and embraces the audience. Gerard introduced each piece himself, usually with an extensive preamble and I was hanging onto each and every word. Indeed, I was voraciously taking notes up in my seat. Among so many other things, Gerard is a teacher and I felt like this concert was also his last hurrah in that department as well trying to share as much of his knowledge and somehow try to encourage the spirit of music which lives in each of us to soar.

I wasn’t quite sure what to expect. However, here are a few snapshots.

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Gerard Willems.

Firstly, I was struck by how Gerard would play that solitary, perfect note in a way that transcended our earthly realm and entered the heavens. Indeed, I was reminded of when you look up into the night sky and see the planet Venus twinkling almost like a star yet in its solitude. One of my great frustrations as a beginner violinist, was the difficulty of even being able to play one perfect note. I kept practicing and practicing and I’d play two strings instead of one. My bow would glide diagonally across the strings and screech like a flock of cockatoos. It was so incredibly frustrating and yet I was determined to succeed. Gerard made me appreciate the enormity of playing that one perfect note. That it’s nowhere near as easy as you think.

Secondly, I was completely blown away by his unbelievable physicality playing Chopin’s Scherzo No. 1 in B minor Op. 20. Remember the man is retiring and this piece of music, is very physically demanding. Incredible.

However, while the other pieces were far more complex, I couldn’t go past Moonlight Sonata, which was followed by the Brahm’s Lullaby. He played these because these are the pieces he played for his baby daughter, Clara, and grandchildren. Indeed, as he played the Brahms, his wife appeared on stage hold Clara’s hands and helping her to walk across the stage to her Dad. She is only one year old and beyond cute. I noticed when I later looked at the photos that she was wearing a black jacket which looked a bit like a conductor’s jacket. As I said, she was extraordinarily cute and it was so touching to see how much Gerard loves his wife and baby girl. That was another time when you could feel all the stars twinkling in the sky and a sense of magic.

After the concert, I stayed the night at my parents’ place and had been so overstimulated by the concert, that I couldn’t sleep for hours. All my matches had been lit at once and I was firing on too many cylinders I suspect.

Best wishes,

Rowena

Sources

https://en.wikipedia.org/wiki/Sydney_Conservatorium_of_Music

 

 

 

 

The Rocks, Sydney…Thursday Doors.

Welcome to Another Thursday Doors!

This week, you’d better back a hat, water bottle and a decent pair of walking shoes because we’re on a doorcursion  to Sydney’s Historic Rocks area, where European settlement began shortly after the arrival of the First Fleet in 1788.AS you can see from the photograph, The Rocks has some stunning views of the Sydney Harbour Bridge and fronts onto Sydney Harbour.

The route we’re taking starts out at Wynyard Station and we’re turning left into George Street. This is quite a chaotic construction zone at the moment. However, I managed to battle my way through to The Rocks, which clearly has to be a fertile breeding ground for photogenic doors.

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Map Showing the location of The Rocks, Sydney.

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This mural pretty much marked where I pulled out my camera and marks the start of The Rocks. While no doors are features, I felt it helped set the scene taking you back in time when the residents of The Rocks were living on struggle street.

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Next we come across Sydney’s oldest pub, the Fortune Of War, which was established in 1828 and has come to include a couple of pubs under one roof.

 

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The Russell Hotel (Previously known as The Orient) was built in 1887 in the Queen-Anne Style and in recent times appeared in the Japanese anime show: Free! Eternal Sunshine.

 

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Inside the Fortune O War Pub.

By the way, I should warn you as we continue our tour, that we’ll be dropping in on quite a few pubs. While The Rocks is a popular spot for a pub crawl, I hope you’re not in desperate need for a beer because we’re not stopping. We’re only checking out the doors and moving onto the next one.

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You’ll notice a Halloween joke out the front today.

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This front door belongs to the Julian Ashton Art School, which continues to train and encourage upcoming Australian artists.

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The Observer Hotel

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A bit more of a Halloween theme at this cafe.

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The Mercantile Hotel, The Rocks.

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I’m a big concerned about this door in the footpath. Could swear I could hear intermittent banging sounds.

After visiting all these drinking holes, it was inevitable that our doorcursion was going to end up here:

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I wonder if the riff-raff are also forced to use the Gents? This sign clearly pre-dates uni-sex toilets.

Well, I hope you enjoyed our doorscursion to The Rocks. I had a wonderful time. By the way, my walk through The Rocks was a detour on my way to the Sydney Conservatorium of Music last night. I was off to attend Gerard Willems’ Twilight Recital. Gerard is not only a brilliantly talented International concert pianist, he is such a warm and loving person and such a character. He was a year behind Mum at school and they both learned from another generous and encouraging soul, Nada Brissenden before studying at the Con. Mum studied piano there under my Dad’s mother, Eunice Gardiner while Gerard was under Gordon Watson. One night, my grandmother held a soiree at her Lindfield home for Gerard to get more performance practice and invited mum along. My Dad picked Gerard and Mum up from the station and that was the beginning of a whole new book, a whole lot more than just a chapter.

This has been another contribution to Thursday Doors hosted by Norm 2.0. Why don’t you come and join us and share a few of your favourite doors. It’s a lot of fun and helps you see parts of the world you’ll never get to visit.

Best wishes,

Rowena

 

Tales from University 1929…The Lad Paying for the Girl on the Tram.

What goes around comes around. While our kids are still a way off leaving school, quite a few of my friends’ kids are currently doing their HSCs or final exams at the moment. While they’re currently fully immersed in their exams and seizing hold of current friendships, they’re all about to embark into the great unknown of new beginnings.

Who knows whether any of these kids will find themselves walking along the same old path we trod into Sydney University. Catching the train to Redfern Station and then walking down Lawson Street, onto Abercrombie and into campus…albeit clutching a map and potentially loads of trepidation.

Starting anything new is such a melting pot of horrid anxiety and exhilarated excitement that it’s surprising any of us can actually put one foot in front of the other and actually emerge from the other end with that precious piece of paper in hand. All I can say to the new ones is that the paths well trod, but there have also been a lot of casualties and not to take anything for granted. That you need to carpe diem seize the day but also make sure you don’t burn up along the way. Light all your matches at once and have no story to tell.

Anyway, while some people waste their lives hunting down the mighty dollar, I live in pursuit of the story. Consequently, as soon as I found out that the archives of Sydney University’s newspaper, Honi Soit were online, I dived in and I haven’t come out. What’s added zest and excitement to this journey, is that I’m a third generation Sydney University Graduate and I also have aunts, uncles, brother, cousins who’ve also been through the place. While our names mightn’t be etched in stone in the Main Quad, we’ve definitely been part of the action. Some of us more than others.

It was only natural to want to check out the very first edition of Honi Soit and see what it was about. Then, I realized that my grandfather had been studying dentistry at the time and that he would’ve held that paper in his hands all those years ago. Been a part of the action. Born in 1910, he would’ve been 19 in 1929 and possibly in second year. I’ve got to try and nut that out.

So, when I found this fabulous letter to the editor written by a Fresher, I had to think of him. I didn’t think of him as the Fresher, but more as one of the wise owls offering this hapless young man a bit of advice.

Here it goes:

Trams 1920s

Letters to the Editor May 3, 1929.

Dear Sir,—

Now I am only a Fresher, Mr. Editor, and consequently am  not very well up in ‘Varsity ways and this is what’s worrying me. Every morning I meet one of the women of my year at the tram—she’s always there first and so I can’t dodge her—and we ride in together and I pay her fare.

Now that’s it—should I pay her fare seeing that I only met her a few weeks ago? You see it makes quite a big difference in this way: When I ride with her I don’t like to use my cram pass and as it is a three section journey that means 3d. extra plus 5d. for her—making 8d. extra altogether.

This means 3/4 a week in the morning and there’s also one afternoon which brings it up to 4/- a week. This is £ 2 a term and means £ 6 a year.

As we are both doing MED. we will travel together for six years and that means £36. Further since everyone fails in Third Year we will have to stay seven years at the ‘Varsity and that makes it £42.

It doesn’t seem a bit fair to me that this girl should cost me so much money, but as I am only a Fresher and don’t know much I would like to have your opinion as I am certain it will be a good one.

Hoping that I haven’t caused you too much bother.

I am.

Yours Very Truly,

M.T. Honi Soit, May 3, 1929 pg 3.

The Replies

Honi Soit, May 10, 1929

To the Editor,— The touching plea of a Med. Fresher in the shape of an extremely ingenuous letter to your paper, must surely have touched all hearts. Even the Women Undergraduates must have been moved to pity ere they passed judgment. My first feeling was one of intense astonishment. That a Med. Fresher would actually consider the possibility of paying someone else’s tram fare was a possibility not dreamt of in my philosophy.

The puzzled fresher would have us believe the following facts:

(a) He is very worried. (I would suggest nerve nuts at stated intervals —notably during lectures).

(b) It is impossible for him to dodge the “woman.’ (I’ve heard that one before).

(c) He has calculated expenses over a period of seven years with terrifying results. (At last we are on familiar ground).

Naturally enough the Age of Reason has little time for the Age of Chivalry.

It would seem on the face of things that the question, ”Should Men pay Women Students* tram fares?” is as fruitless as “Should women stand in trams?” But there are a few considerations which make the former question a matter for controversy.

In the first place we find it difficult to believe that the puzzled fresher catches the same tram—literally speaking—as the troublesome “woman” on every occasion. Apart from the sheer miracle of a Med. student paying someone else’s fare, the misfortune must be on the fresher’s own head. Either he is organically lazy, or he is proving that even in the tram a young man’s fancy lightly turns to thoughts of love. We are thus faced with an interesting psychological contretemps. As yet the innocent fresher cannot analyse the strange force which compels him to seat himself by the “woman” and bravely ignoring his shameful tram pass, to drag forth the sum of eight-pence. On the other hand the financial instinct struggles fiercely.

No wonder then the poor fresher is worried.

I think that if the fresher continually meets the “woman” in the tram, she should hand forth the plebeian coppers as naturally as she might stroll in minutes late for a nine o’clock lecture. The whole question really hinges on the problem of to show or not to show the humble pass, and my opinion is that it should be treated as an academic privilege to be taken advantage of on every occasion. And so, let the “woman” take the initiative and keep her tram pass as she does her powder puff—

within easy access. Surely then the fresher will be worried no longer when he sees “the treasured” privilege—-her

pass—”come sliding out of her sacred glove.”

A SYMPATHETIC WOMAN UNDERGRADUATE.

Honi Soit, May 10, 1929 pg 4.

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Those Tramfares

(To the Editor.)

I read with amazement the piteous appeal for guidance from M.T.G. (“H.S.,” May 3). That he should even consider, let alone worry over, paying a woman student’s fare is quite beyond my comprehension. His blunder for to my mind it is an egregious mistake is all the more apparent when the reason why women come to the ‘Varsity in general, and do Medicine in particular, is taken into consideration.

Of course it is well known that women only come to the ‘Varsity to “catch” a husband. As “Med.” has the best “catches” and is the longest course, they have greater opportunities to carry out their nefarious schemes.

If, however, M.T.G. finds that, having commenced, he cannot cease paying the siren’s fare, I would suggest the adoption of any or all of the following:—

1.—Buy (a) a car; (b) a motorcycle (with pillion) ; (c) a bicycle.

2.—Miss the first lecture.

3.—Make a certain proposal to the woman.

4.—Have a row-with her.

5.—Leave the suburb.

6.—Leave the ‘Varsity.

Hoping this may clear the air for  him,

ARTS III.

Honi Soit, May 22, 1929 pg 4.

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Reading this letter 90 years later, what would I advise the young man?

Probably, my greatest piece of advice to that young man is that you should only give what you feel comfortable giving. As it stands, paying for the young woman’s fare seems like more of a tax and all he’s really concerned about is how much it’s going to cost him. He hasn’t mentioned whether he likes the girl, finds her attractive, it’s just about how much she’s costing him and that’s counter to the real spirit of giving. You should give with a full heart, without building resentment. Yet, at the same time, I also feel for him because once he paid for her a second time, he’d established a pattern which would be very difficult for anyone to get out of. I’d really love to hear how the story panned out. Was there ever romance with this girl on the tram? Or, perhaps she read his letter and decided to pay her own way. After all, it was a fairly pointed letter. Indeed, that makes me question whether the letter was genuine or just a story line devised by the editors? I guess we’ll never know. However, it all made for an entertaining read and a huge sense of relief, that my fresher days are well and truly in the past.

Best wishes,

Rowena