Tag Archives: Leonardo da Vinci

Leonardo Di Vinci

Last night, I wasn’t looking for personal inspiration. It was more a case of getting my son to do his history assignment on a medieval/Renaissance leader.If you’re a parent, I’m sure you’ll know all about this. If you’re not, you’ll remember your own parents railroading you unless you were some kind of glowing Marcia Brady.

If you’ve been following my blog at all, you’ll know I’m crazy about history and won’t be surprised that I had more than a passing interest in my son’s assignment and might have some useful resources.

No doubt, that’s why he chose to research Kublai Khan. I had  fantastic, illustrated books on Leonardo Da Vinci and Michelangelo. So, they were too easy. We’ve even been to a superlatively inspirational exhibition in Sydney where they’d built interactive models of Da Vinci’s inventions and you could operate them yourself. Yet, Da Vinci was off his radar and I couldn’t help feeling like he’d plucked Kublai Khan out of a hat!

So, I made a brief but futile attempt to change his mind and retrieved my beautifully illustrated and well-researched book on Leonardo down from the shelf…Ritchie Calder’s: Leonardo & The Age of the Eye. A book, which despite my best intentions, I still haven’t read!

Of course, I know I should’ve read it myself and that it’s been sitting on my shelf for about 3 years making me look smart without actually taking it in…pretty stupid. Yet, aren’t most bookshelves also packed with good intentions????

Anyway, in a serendipitous moment, I opened the book at this paragraph, which really resonated with me:

“Leonardo was the observer with the naked eye and the naked ear. He also had, and never lost, his childlike curiosity which, however much we may specialize in the more-and-more-about-less-and-less, is the essential nature of science. His was not the structured life of the child who having revealed an aptitude for what is scholastically called “science” at some immature age is told that he should be a physicist, chemist or a biologist, and from then on  is academically escorted through the science stream, the science faculty, and the post-graduate course into the learned societies. He learned where he went and where the interests took him.” (pg 261).

While I’m not going to re-write the entire book (especially when I haven’t read it!!), I found this a few paragraphs down, which gives an insight into the breadth of Da Vinci’s “education” and training:

“His science began as a painter. He was lucky to be apprenticed to Verrocchio at a time when perspective had become a preoccupation with artists…among the master’s cronies the subject of perspective was not just a matter of working practice; it was a matter of winebibbing  debate, as well as quasi-mystical dissertations on spatiality. In a way it was putting them, the artists, on speaking terms with the intellectuals around the Medici Garden…

Probably the most powerful, formative influence on Leonardo was Toscanelli, physician, astronomer and natural philosopher. The tracker of the comet, the cartographer and mentor of Columbus kept open house for the likes of Leonardo, whom he encouraged in the systematic study of mathematics, and introduced to astronomy.” pg 261.

Thus, Da Vinci was nurtured in a very rich, yet broad and multi-disciplinary environment, and not simply pushed down one path to become the “performing genius” if you get my drift. While the benefits of a broad educational base bare obvious to some, there’s so much pressure to become that expert. That person who knows that topic in painstakingly intimate detail, even if that means losing site of the bigger picture entirely. Even if it means being unable to tie up your own shoe laces or bake a cake. Indeed, too many experts have travelled so far down their own drainpipe without networking with even slightly-divergent colleagues, and there has to be a price for that. Few of us would even dream of having Da Vinci’s genius. Yet, it was built on curiosity and a broad brush stroke, NOT knowing everything within a very narrow sphere too well.

By diversifying ourselves, we too could reap the benefits…especially as creatives.

I practice what I preach. While writing, photography and research are my mainstays, I also learn the violin and have been doing contemporary/ballet classes for the last six months, which have really intensified my vision.

Not that I’ve become Da Vinci, but at least I’m working on it!

xx Rowena

 

Community is a Symphony…Not a Solo Performance!

As much as we might deify the Renaissance “Man” and worship the modern cult of celebrity, it’s easy to forget that community is a symphony, not a solo performance. That we need an eclectic diversity of voices, cultures and thoughts to create the depth and richness we need to be an innovative, creative, meaningful and productive society. A diverse community not only means a healthier community but it creates a more inclusive sense of belonging rather than those mutually hostile “us” and “them” enclaves which can potentially become very destructive.

Leonardo Da Vinci's Rennaisance Man.

Leonardo Da Vinci’s Rennaisance Man.

Moreover, for community to progress, those different parts need to come together not as one colourless, amorphous blob but as an integrated whole where each retains its sense of self and unique character. This is like individual musicians coming together to form an orchestra where instead of playing a solo, the different parts harmonise to produce a richer, more complex and mind-blowing sound.No one player, other than a soloist, dominates the performance and different instruments stand out or indeed rest throughout the piece.

The Sydney Symphony Orchestra in front of the Sydney Opera House

The Sydney Symphony Orchestra in front of the Sydney Opera House

Not unsurprisingly, all this synchronised integration doesn’t just magically happen with the click of the fingers. Oh no! Coordinating all these varied musicians, each potentially exceptionally talented in their own right, not only takes a conductor and their stick but it also asks each individual musician to give up something of themselves for the performance.This is a big ask but they comply because while there is glory, adulation and enjoyment in being the prima donna soloist, there is something miraculous as well about being a small part of an incredible, much grander and even ethereal sound. It is also an incredible experience to play your instrument with fellow musicians where you somehow connect through those fusing sounds in a way that isn’t always possible through words.

The family playing violin

The family playing violin a few years ago.

Humble, novice violinist that I am, I play my violin in an ensemble. Most of the time the pieces we play are intentionally easier than our own pieces and sometimes my part is very basic. To be honest,sometimes it gets a bit dull. In some pieces, I’m playing lots of 4 beat semi-breves and when I practice at home, it can get a bit boring and tedious and I drift off. However, when I’m playing with the ensemble, the same part can actually become quite challenging  as I divert much of my concentration to listening to the other players as well as trying to perfect my timing. I am, after all, no longer an individual but part of an integrated whole which needs to work together. While we don’t want to sound like a machine, we do need that precision and timing. As I said, there’s depth, texture, complexity and as well as that spark which is created when a group of musicians comes together and adds an amazing je ne sais quoi. Put very simply, the whole is greater than the sum of its parts.

Our violin ensemble performing at the school carols night.

Our violin ensemble performing at the school carols night.

“I have cherished the ideal of a democratic and free society in which all persons live together in harmony and with equal opportunities.”

Nelson Mandela

I should also emphasise that when as our various parts harmonise, we are playing different notes for varying lengths of time and at a different pitch. Being in harmony, means difference coming together to produce a great sound not everybody playing exactly the same thing.

Sometimes, we forget that.

Ironically, while I’ve been thinking about the importance of difference coming together as an integrated, more inspirational whole,  World of Our Own by Australian 60s band  The Seekers, which coincidentally is renowned for its 4 part harmonies, came to mind: https://www.youtube.com/watch?v=g5pvpIvz5YQ

The Seekers

The Seekers

We’ll build a world of our own
That no one else can share.
All our sorrows we’ll leave far behind us there.
And I know you will find
There’ll be peace of mind
When we live in a world of our own.

The Seekers:”World of Our Own”.

 

However, building a cohesive, diverse community is continuous work-in progress, largely because individuals don’t want to sacrifice themselves for the sake of the greater good or an element of extremism takes off which doesn’t tolerate any kind of conflicting view. For some of us and include myself here, the allure of being a prima donna is great. We want to be the star and strut around the stage. There are so many rewards for being Queen or King of Centre Stage and relatively few for being a backstage genius. However, we learn more when we listen and I dare say we also grow more when we work with others and learn how to work successfully together in harmony.

It is a challenge which begins with me.

Being a real prima donna posing outside Byron Bay Lighthouse on holidays. i almost died when someone asked me to play. 2013.

Being a real prima donna posing outside Byron Bay Lighthouse on holidays. i almost died when someone asked me to play.

xx Rowena

PS Thought I’d give Magic Johnson the last word:

“I have to tell you, I’m proudest of my life off the court. There will always be great basketball players who bounce that little round ball, but my proudest moments are affecting people’s lives, effecting change, being a role model in the community”.

Magic Johnson