“Remember you can not look at the sun or death for very long.”
David Hockney
Last week, David Hockney the larger-than-life artist and creative genius passed away at the grand old age of 88, one month shy of his 89th birthday. Tributes have absolutely flooded in from all the world’s greats, and even their dogs who are sympatico thanks to Hockney’s love of his beloved dachshunds. Naturally, it’s easy to get on the “me too” bandwagon and add our bit. Of course, we all feel we have something to say and there’s this sense of collective, communal grief. Yet at the same time, who am I to add anything meaningful to the general babble, which hasn’t already been said?
Well…
Let’s just say I offer a different perspective. More that of a fledgling “artist” barely out of the nest and just as Hockney studied the masters before him, he inspires me from the grassroots up.

I first heard about David Hockney last year on Instagram when I came across something about a massive retrospective being held at the Fondation Louis Vuitton in Paris. As luck would have it, my husband and I would be in Paris for him to attend a work conference and there was this possibility, as extraordinary and unbelievable as it sounded, that I could actually go! Considering we live in far off Sydney, Australia, plus it had been 33 years since I was last in Paris, AND I have acute health and disability issues, this was a miraculous coincidence. For the first time in a while, all my lucky stars had all lined up. I was thrilled. Yet, at the same time, I still had nagging doubts. Could it be too good to be true?

Still, in the spirit of the great explorers and even David Hockney himself, I decided to give it a shot. My journey of a thousand miles started out by catching the metro to Charles de Gaulle – Etoile to catch the shuttle bus from Avenue de Friedland right next to the magnificent Arc de Triomphe.

Indeed, I couldn’t believe it when I boarded the bus and it drove around the roundabout and the magnificent arch. Hooley dooley! I was so excited my heartrate went through the roof. Almost too much for this little Australian to bear, I felt like a character on the set of a movie. This couldn’t possibly be real life, especially MY life. Not to play the sympathy card, but my usual outings often involve medical tests preparing me just in case I needed that possible lung transplant. So, I was literally in seventh heaven!!
The rest of the trip passed in a blur, and we were there.

Of course, I could go off on so many tangents at this point. Talk about the amazing building created by architectural great Frank Lowry, which is an extraordinary monument in its own right. However, we are here to explore David Hockney, and the building is but its outer skin.

Encountering David Hockney for the very first time on such a massive scale blew my mind. Naturally, I tried to slow time down to really absorb room after room of vibrant, exotic colour, taking particular notice of his brushstrokes and composition. I wasn’t just looking on as an admirer, but also not an imitator. Just loading up my creative tank hoping something, anything, might possibly help my art making along, even just a little. I did photograph much of the exhibition, which I’m very grateful for because I don’t have the best memory. Yet, surely nobody can take in over 400 works in one sitting, and that’s what I wanted and needed to do. Absorb each and every brushstroke and somehow add it to my repertoire. Mind you, considering I struggle to even draw decent stick figures, this was highly ambitious. Yet, at every exhibition, I always hope a bit of magic creativity dust might fall on me and somehow endow me with their brilliance.

“Drawing makes you see things clearer, and clearer and clearer still, until your eyes ache.”
David Hockney
The exhibition included more than 400 of his works covering 70 years from 1955-2025, but focused on the last 25 years. I really knew next to nothing about him, so this was an introduction and I was delighted to see what is probably his most famous work, The Big Splash, in person. However, it didn’t speak to me with all the vibrant jumping up and down gusto of some of his other works. Hard to pick a favourite, but I do love Garrowby Hill, 2017 and Garrowby Hill, 1998 with their winding purple road through coloured fields and reminiscent of Van Gogh.

I also really loved Untitled No. 2 (The Arrival of Spring), 2011 with its dazzling explosion of flowers. You really sense and appreciate the vibrance and vitality of Spring, especially after a bleak English Winter. I also love the plethora of portraits, and especially how he’s captured the unique idiosyncratic qualities of each and every character. With our daughter studying floristry, I was also drawn to his still lifes of flowers in vases. He was prolific, but he was certainly no factory.

At the other end of the spectrum and what thrilled and dazzled me the most, was seeing a video installation: A Bigger Space For Dancing (2012). So hard to describe I, as I’ve never seen anything like this before. However, let’s just say it’s rather surreal with dancers moving mysteriously from frame to frame via multiple camera angles. As a dance Mum, I was particularly enamoured and intrigued, and watched it on repeat. By the way, the dancers featured Steven McRae and Roberta Marquez of the Royal Ballet. McRae’s tap dancing was impressive, but I particularly loved all the quirky special effects.
“Artists, real artists, have to work. They can’t be hedonists. Really good painters are always working. The world is such a marvelous place. You have to look and to work. That’s exactly why Van Gogh was such a great artist: total commitment. That’s what you need.”
― David Hockney
Lastly, I wanted to mention an animated iPad portrait which I actually filmed at the time…No. 61, 24th April 2010, 2010. I was able to watch the entire portrait emerge stroke by stroke and truly witness and observe Hockney at work. What a gift, especially for any aspiring artist. Painting a recognisable face does indeed appear much more possible now as I watched the face emerge stroke by stroke. Indeed, he might even have brought portraiture within my grasp.

Unfortunately, like poor old Cinderella, my time with David Hockey was over far too soon and I was just briefly able to explore a few sculptures on display and the building before I was back on the bus into the heart of Paris. However, I did opt to purchase the more bulky and extremely heavy exhibition catalogue. I knew this was going to cause friction with my husband who had set a “no book policy” for our trip, which I’d already violated in Ireland. Of course, as soon as he saw it, he asked me why I didn’t think of ordering it online…too easy!
“Laugh a lot. It clears the lungs.”
David Hockney

Now, a year down the track, and spurred on by his death, I finally opened the exhibition catalogue and am inhaling every precious page in detail. Thanks to his prolific output, you can view subjects from various perspectives flowers in vases, portraits and scenes around Yorkshire. I have also gone through the photos I took at the exhibition and they’re breath taking. Seeing so many of his works in real life and in the catalogue is hard to describe. I have also read everything I can get hold of on Instagram and online since his death and so many of these quirky anecdotes should be preserved. I am not the most mainstream person myself. However, even I’m dumbfounded by his baggy tweed suits and bright yellow round glasses, which perfectly match the bright yellow crocs he wore to Buckingham Palace. Apparently, he not only smoked but was known to chain smoke using the expiring butt to light his next. There are also various stories about him having a stockpile of 2000 cigarettes and one version goes that his Los Angeles home was said to have 2,000 Camel Wides stored away in case of an earthquake. He was virulently opposed to restriction on smoking in public and wore a badge declaring: ‘End bossiness soon’. All of his paintings of his beloved dachshunds might also seem too excessive until you learn these were done at the peak of the AIDS epidemic to cope with overwhelming loss and grief. His output was prolific and it seems he interacted with a lot of people and gave a hell of a lot. So much larger than life and now he is painting rainbows in the sky and leaving us to ponder his legacy.
Did you make it to David Hockney’s exhibition in Paris? Or, perhaps you’ve seen his work somewhere else. Any thoughts? I’d love to read them in the comments.
Best wishes,
Rowena

















































