Tag Archives: Aboriginal

Weekend Coffee Share – 3rd September, 2023.

Welcome to Another Weekend Coffee Share & Happy Father’s Day!

How are you? Hope you are going well!

Today, it’s Father’s Day here in Australia and we’d like to invite you to join us for pancakes. Not those rubbishy excuses for pancakes which are conceived inside one of those dastardly shaker bottles either. No, I mean the real thing made from scratch using real eggs, milk and butter and just for a bit of flare, I beat them up with a vintage hand-beater. They’re in a league of their own as long as I don’t get distracted. It’s not unusual for a pancake to get sacrificed to the dogs who are only too happy to oblige.

Father’s Day was rather low-key at our place this year. Our son seems to have the flu and our daughter flew to Brisbane on Friday night for an audition and arrived home about 1.00am this morning and was wiped out. So all of us slept in and breakfast became lunch.

After lunch, Geoff and I headed off to see if the waratahs were out in their usual location. I know this makes it sounds very Top Secret, but they actually grow in a particular patch beside the road on the way to Patonga. That will mean absolutely nothing to most of you but it’s about 10-20 minutes from Woy Woy (the town Spike Milligan put on the map in the Goon Show many moons ago.) Waratahs, as you can see, are an absolutely magnificent flower and the NSW floral emblem. Unfortunately, they seem to be quite rare in the wild and this is the only place I’ve seen them.

Patersonia sericea, commonly known as the purple flag, native iris, silky purple flag or native flag is a species of plant in the iris family Iridacea
Scribbly Gum

Meanwhile, my new trajectory as an “exercise fanatic” continues. I’ve been doing pulmonary rehab for a few weeks now to try to improve my lungs and breathing. Or to be very frank, do whatever I can to save them which seems to be working to some extent. Unfortunately, my concept of “working” is considerably modified and a long way from peak condition but provided I don’t catch another virus, I should be right for a bit. Meanwhile, I’ve been clocking up some pseudo kilometres on the exercise and walking “in real life” (as I’ve seen referred to as IRL in a text from a friend. I don’t usually distinguish between the two as online is my real life especially thanks to covid and associated lockdowns).

My writing has cut back a lot during the last six to twelve months, but I am trying to get back into the swing again. I’ve got back into my weekly contributions to Friday Fictioneers where we write 100 words to a photo prompt. I find this flash fiction seems to be my best medium, even though I’ve been writing poetry for years. I’ve been quite surprised to see how much ground I can cover in only 100 words, and I’d encourage you to have a go if you haven’t tried it out. Here’s my latest offering: The Bikini Inspector of Bondi Beach

Meanwhile, beyond our four walls there’s 2023 Australian Indigenous Voice referendum will be held on 14 October 2023. Voters will be asked to approve an alteration to the Australian Constitution, creating a body called the Aboriginal and Torres Strait Islander Voice that “may make representations to the Parliament and the Executive Government … on matters relating to Aboriginal and Torres Strait Islander peoples”. This is about six weeks away and all sorts of people and organisations are publicly taking sides. There Aboriginal people on both sides of the debate, which I’ve got to say certainly confuses matters. I’m voting Yes and feel that’s the right thing to do but I’m not out there drumming up supporters. I’m still recovering from the intense arguments and broken friendships resulting from opposing views on the covid vaccination debate.

Anyway, I’m going to call it a day. Or, to be more accurate…a night.

This has been another contribution to the Weekend Coffee Share hosted by Natalie the Explorer.

Best wishes,

Rowena

A Visit to Sydney Modern – An Extension to the Art Gallery of NSW.

My goodness! Writing up these posts about our three week stint in Sydney seems to be taking longer than our holiday itself, a situation hardly helped by my knack of over-researching each and every step I take and even taking flight on the wings of numerous stories.

While some would consider delving into the past like this a waste of time or an escape from the present, for me these places really come to life when you find out more about them and their assorted characters. Indeed, even the multifarious fragments of stories I’ve been gathering are riveting and while they might not make a full story in themselves, I’m hoping to join them together into some sort of conglomerate or word collage. We’ll see.

New Zealand artist Francis Upritchard’s Here Comes Everybody

Meanwhile, heading back to the 19th January, I caught the ferry to Circular Quay and the train to St James Station and started walking towards the Art Gallery of New South Wales and it’s new development, Sydney Modern, which is located conveniently next door. Sydney Modern, which is its temporary name, only opened on the 3rd December, 2022. So, it had only been open for about six weeks and it was brand spanking new. Moreover, being our long school Summer holidays, quite a few of my friends had been going and photos were turning up on Facebook which motivated me to overlook the long walk to get there.

And I thought I had big feet…!

My thoughts about Sydney Modern are that it’s massive with vast amounts of space in between works and my feeling was they could’ve moved the paintings closer together and squeezed a few more works up on the wall and there would be more to see. Of course, this is coming from someone whose personal style is “cluttered eclectic” and I’m always trying to squeeze more books into overcrowded book shelves and don’t even talk to me about getting photos up on the walls at home. I have stacks upon stacks of picture frames and I’d probably be able to fill Sydney Modern myself given half the chance. So, I’m hardly one who would leave plenty of room or “pasture” around a painting on a wall. Being a public gallery, I might not want to jam it all in and I’m coming to appreciate the virtues of blank space. Yet, I did feel they could fit more onto the walls without it becoming less.

Before I developed these theories on gallery hanging space, I visited the Aboriginal gallery within Sydney Modern – the Yiribana Gallery, which actually takes pride of place in the new gallery instead of being shut away in the boondocks like it was in the old building. How could a country marginalise the art and culture of its Indigenous people? I don’t know and I guess it’s just part of a broader picture of things I don’t understand. My thinking is too simple. Anyway, I really enjoyed being able to immerse myself in Aboriginal art there and gain a greater appreciation, even if I have a long way to go. If you would like to explore the Yiribana Gallery online, click HERE

Just on this first visit, I didn’t really get a good feel for the new building and barely scratched the surface. However, if you’d like to read more about it, here’s a link: Opening of the Sydney Modern Project.

An awkward selfie of me with my lump of clay and contribution to the work.

Before we leave Sydney Modern, I’d just like to share one last thing which was more of an experiential or “participatory” artwork. This was Kimsooja’s Archive of Mind. Visitors to the gallery were given the opportunity to make their own albeit small contribution by taking a lump of clay, rolling it into a ball which was left on a large table becoming part of a a community of balls. We could choose from three different coloured clay and it was meant to be a bit of a relaxing, mindfulness type experience and there’s a brief explanation about what the work’s about:

“Each person has their space and time, but the work also creates a communal space. Working towards a certain state of mind creates a kind of cosmic landscape, a mind-galaxy

– Kimsooja, Korea 1957-

Personally, I found it rather exciting to go to the art gallery and make art or perhaps it’s more of a sculpture myself and to be a contributor and not just a watcher of art. I was also reminded of visiting the art gallery with our son when he was just shy of turning five. We were walking back home across The Domain after visiting the gallery and he found a great big Autumn leaf on the ground. Being a preschooler, he knew all about making leaf prints from Autumn leaves and wanted to take the leaf back to the art gallery so they could make one. He was so enthusiastic. I felt a bit too self-conscious to return to the art gallery with his leaf and explained that the gallery displayed art rather than making it there. Had we gone back, I’m sure the staff would’ve accepted his leaf with grace (unlike his mother) and there’s part of me now that wishes I’d turned back and had more belief in him.

Heading home, I decided to walk back to Circular Quay via the Botanic Gardens instead of walking back to St James Station. Transport wise, the art gallery is in a tricky spot and it’s a fair hike to a station. However, I planned to take it slowly, a bit at a time, and rest along the way and thought I’d be okay. I wasn’t and the walk back to Circular Quay was grueling. It felt like I’d been walking for an eternity and then I finally reached a map and it showed I was only a third of the way through and my legs were aching, exhausted, dead weights. However, I’d unwittingly committed myself to coming out the other side and everywhere I looked there were prohibitive flights of stairs. Tall trees towered overhead and there were moments where I was starting to feel trapped, and like I’d never make it out the other side. I also have a pretty poor sense of direction which didn’t help either and with such limited energy, I couldn’t afford to get lost and even take one more step more than required. Indeed, I was looking for the short cut out.

I guess this is what they call biting off more than you can chew. Moreover, the trouble is you can’t always spit it all out and make everything manageable again. Sometimes, you’re caught up in the flow and all you can do is keep breaking it down into smaller chunks, rest, recover and think about all those powerfully motivating words like resilience, persistence, perseverance, determination, never giving up. Another thing which also would’ve helped is planning ahead, and having some appreciation of not only getting to my destination, but also getting home. Sometimes you can push yourself too far, which is actually counter-productive and even dangerous. You don’t always need to be a hero, and some times being a survivor is good enough.

No escape from the Botanical Gardens for those who can’t get up the stairs lol.

Obviously, I made it out alive and didn’t get lost in the Botanical Gardens for eternity either. Yippee! Mind you, I can’t say that I really learned to be more cautious about pacing myself, but more of that to come.

Have you been to the Sydney and what did you think? Or, have you been on a similar adventure over in your neck of the woods? If so, I’d love to hear from you.

Best wishes,

Rowena

A Walk Down George Street, Tallawoladah (The Rocks), Sydney.

After catching the ferry from Cremorne Point and the Museum of Contemporary Art closed, I headed for George Street, Tallawoladah (The Rocks), which is a short walk from Circular Quay. By the way, Tallawoladah was the name the original Cadigal people gave to the area Europeans have called The Rocks and it’s original name now appears prominently on signage which is good to see. About time, you could say. It wasn’t that long ago there was hardly a sign of Aboriginal Australia in the city. This is very different to how the Maori people are honoured and acknowledged in New Zealand, by the way, and something which seriously needed to change.

Thankfully my photographs are in order so I have some capacity to retrace my footsteps along George Street. Otherwise I’d have no idea what order everything slotted into and I’d probably have you jumping all over the place to keep up with my poor directions.

Selfie on George Street, The Rocks

I didn’t get far, because just across the road from the Museum of Contemporary Art, my eager eye spotted the Guylian Belgian Chocolate Cafe across the road and I was in and I’ll never forget that indulgent slice of lusciously gorgeous chocolate mud cake. OMG!!!! it was superlatively good… silky smooth and so indulgent!! I sat outside and slowly imbibed it while sipping my cappuccino. I rarely drink coffee often these days so it gives you an idea just how special this moment was! There I was in Sydney, with a luscious slice of chocolate mud cake and a cappuccino after three years of serious deprivation. I might’ve been sitting down but inside I was swinging from the rafters. Yippee!! Life was superlatively good.

The Guylian Cafe is across the road from the famous Orient Hotel, which was originally built as a butcher shop in 1844. It’s been a famous pub for longer than I’ve existed. By this stage, it must’ve been around 6.00pm and it was literally buzzing with the after work crowd in full flight. Strangely perhaps, this was yet another moment I became acutely aware of the weirdness of our isolated lockdown world and my own enhanced isolation. I’ve barely been in a crowd for the last three years and there was a cacophony of voices across the road which sounded like threes full of Rainbow Lorikeets we get around here. To be very honest, it almost sounded like “blah, blah, blah!”

I kept walking.

Squidinky

Next stop was was Squidinky and much to my horror it was closed. OMG! To find something which mirrored my own personal quirkiness so precisely was like electricity to my heart and soul and for it to be closed…Oh woe is me! However, that said, I jumped on the computer when I got home and spent several hours perusing their website and there would be no doubt where I’d be heading the next morning…back to Squidinky along with the Museum of Contemporary Art.

As it turned out when I returned Max Mendez, the artist, was in. Oh be still my beating heart! My daughter would’ve been embarrassed if she’d seen me there because I’m always so effusive when I love something and I was literally salivating like a rabid dog. But as Kermit once said: “it’s not being green”, being different. Yet, at the same time, there’s such a refreshing beauty in it too which can take awhile to appreciate, especially in ourselves. After spewing out rapturous praise, Max said I lit up the room with my enthusiasm. Good to see someone appreciates me. BTW I found something very, very special at Squidinky…his Cockatutu range.

As a dance mum and well let’s just say someone who has done a few adult ballet classes even if I wasn’t star material, I absolutely loved it. Bought three plates and could’ve easily bought ten more and gave two to her ballet teachers as a thank you for Miss’s recent audition tape. I also recommend checking out Mark’s blog and seeing his lockdown project illustrating Sydney landmarks here.

By the way, I did think of getting a photo of Mark, and even of the two of us together, especially for the blog. He was so friendly that there’s no doubt he would’ve obliged but I was shy. Didn’t ask, which was very out of character, but perhaps I was too busy enjoyed the moment.

I kept walking.

After all these years of covid, lockdowns and insanity, it was good to be back at The Rocks again. I used to go to The Rocks as a child with mum and my brother and we’d go to Pancakes at The Rocks, which had the thick American style pancakes with maple syrup and whipped butter instead of our usual lemon and sugar or jam. Geoff went to The Rocks for a his sister’s pre-wedding dinner at the famous Spaghetti Factory. His mother initially was rather unimpressed. Coming from regional Tasmania, as far as she knew, spaghetti came from a tin and was hardly something special. My cousin was married at the famous Garrison Church but I didn’t make it there. It was up a hill and with my dodgy breathing, I was sticking to the flat.

Clearly, it was good to be back. Now that we’ve reached the Overseas Passenger Terminal, we’re going to hit pause and I’ll be back soon.

Have you been to Tallawoladah (The Rocks) and do you have any stories to share?

I look forward to hearing from you!

Best wishes,

Rowena

Her Big Break…Friday Fictioneers 16th November, 2022.

Departing for the prestigious Prix de Lausanne, 16 year old ballerina and proud Ngemba woman, Stella Donovan was asked what inspired her to dance.

“When I was five, I found a jewellery box at the tip with a ballerina twirling around inside. She was deadly and I wanted to dance like her. All me friends and aunties were into netball, but ballet was my thing. I hope to encourage other Aboriginal girls to pursue their dreams.”

Then, the tragic news came through.

Stella had broken her foot moments before she went on, but she wouldn’t let it ground her dreams.

….

99 words PHOTO PROMPT thank you to © Starsinclayjars

I learn a lot writing these pithy 100 words of fiction. Many of you will know that our daughter is an aspiring ballerina and that things haven’t been easy over the last couple of years with covid and she recently snapped a ligament in her foot, but she’s back on deck again although not about to compete in Switzerland. She has the end of year concert coming up soon and next year will be onto auditions. To add a bit of a twist, I made this ballerina an Indigenous Australian a Ngemba woman from the outback town of Bourke where my Great Great Uncle, Herb Bruhn, was the head of the Bourke Dramatic and Musical Society and put on Cleopatra and Oklahoma under rather challenging circumstances and then had his pianist move away with no replacement. I admire his pluck! Anyway, I was delighted to find out that we have an Indigenous ballerina in the Australian Ballet, Ella Havelka, a Wiradjuri woman from Dubbo with a very encouraging story: What It’s Like To Be The First Indigenous Dancer in the Australian Ballet

This is another contribution to Friday Fictioneers hosted by Rochelle Wisoff Fields.

Best wishes,

Rowena 

PS Here’s my own boot story where I broken my foot just before going on stage to play my violin: My Christmas Boot.

My Christmas Boot.

A Walk in Redfern, Sydney…Thursday Doors.

Welcome to Another Thursday Doors! This week, we’re off for a walk through part of Sydney’s Redfern, which is located 3 kilometres south of the Sydney central business district. The suburb is named after surgeon William Redfern, who was granted 100 acres (0.40 km2) of land in this area in 1817 by Governor Lachlan Macquarie. You catch the train to Redfern Station to get to the University of Sydney and the footpaths are heavily populated by streams of students.

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Well you might ask why we’re going on a doorscursion around the backstreets of Redfern, when we haven’t been to the Sydney Opera House yet. Of course, if I were planning my life around notable doors, that would be a very good place to start.   However, as much as I admire doors and could even support a philosophy of “Doors for Doors Sake”, that’s a luxury I can’t afford at the moment. Rather, I’m needing to be pragmatic. It’s more of a case where the door follows me, rather than me following the door. That said, there doors are quite stationary and not moving anywhere so I still need to go to them. I just can’t go too far out of my way.

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This week, we’re jumping back in time, returning to the Carer’s Day Out, which was held at the Redfern Community Centre. As it turns out, it could’ve been named: Door Day Out. As you may recall, I’ve already written about returning to my old front door at Abercrombie Street, Chippendale and photographed swags of doors around my former stomping ground, the University of Sydney.

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Today, we’re alighting at Redfern Station and onto Lawson Street right into Abercrombie and back down into Caroline Street and into the park outside the Redfern Community Centre. This area is very much a celebration of Australia’s urban Indigenous culture, but it has also been a dangerous no go zone. I have struggled trying to juggle these two extremes as I bring you down here and actually felt quite a lot of relief to be able to walk around these backstreets safely, which wasn’t the case when I lived here in 1988. I have read various views about this area and in particular “The Block” and for me the bottom line is that for many people this area has been home. Their home might have been on struggle street but it was/is still their home and deserves respect. No one likes having high and mighty outsiders coming in and telling them that their home is crap. I know our place isn’t perfect and after years of fighting my health/disability situation, it’s not what I envisaged either. I know I wouldn’t like someone coming in here and highlighting all it’s faults with none of its strengths.

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Redfern is the birthplace of the urban Aboriginal civil rights movement in Australia. The establishment of Aboriginal-founded and controlled services in the 1970s, such as the Aboriginal Medical Service, the Aboriginal Legal Service and the Aboriginal Housing Company, provided inspiration for self-determination for many Aboriginal communities nationwide. 1972: Redfern-based Aboriginal activists establish a protest camp, for justice and land rights, on the lawns of Parliament House in Canberra. This ‘Aboriginal Tent Embassy’ was a critical political action in the Aboriginal struggle. 1973: ‘The Block’ is established and attracts an international reputation as the bedrock of Aboriginal activism in Australia. 1978: Radio Redfern, housed at the Black Theatre (now Gadigal House) provides a voice for Aboriginal people in Redfern. 1992: Keating speech given at Redfern Park. ‘Before that, Australians did not know what was going on in their own country. We shaped that speech!’ —Redfern elder https://www.pmc.gov.au/sites/default/files/publications/indigenous/empowered-communities/alt/description-redfern.html

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A tribute to The Block, housing development.

The Block would have to be the best-known, most notorious and controversial landmark in Redfern. Probably the best known Redfern’s great claim to fame was: The Block. Houses on The Block were purchased over a period of 30 years by the Aboriginal Housing Company (AHC) for use as a project in Aboriginal-managed housing. The focus of life in The Block has always been Eveleigh Street, which is its eastern border, with railway lines on the other side of that street. ‘The Block’ is an area in the immediate vicinity of Redfern station bounded by Eveleigh, Caroline, Louis and Vine Streets.

So, when you look at the front doors of Redfern, you can know those doors have endured and seen quite a lot and built considerable resilience. That they’ve also part of a community. They don’t stand alone.

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Caroline Street, Redfern.

Clearly, I’m just passing through Redfern and don’t expect to revisit many of these streets until I’m back here next year for another Carer’s Day Out, which could well be the case. I had a fantastic day out.

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This has been another contribution to Thursday Doors hosted by Norm 2.0. Why don’t you come and join us and share a few of your favourite doors. It’s a lot of fun and helps you see parts of the world you’ll never get to visit.

Best wishes,

Rowena

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Thought I’d let Puss have the last word, even if he/she might’ve been sitting around the corner in Abercrombie Street.

Not the Boss’s Wife…Friday Fictioneers.

“This place ain’t right. There’s blood on the stone. Ma always said: `stone house, cold heart.”

“Watta ya mean, luv? She’s the best property in the district. The whippersnappers will love it when they come along… swimming and fishing in the creek. Our El Dorado.”

“I sense their starving spirits. Those broken shearers. The native people. Their blood’s still etched in the stone.”

“You’ve got a bleeding heart, Mary. It’s survival of the fittest. We’re gunna spin the golden fleece. Tame the great outback. ”

Charlotte refused to step inside and gave Charlie back his ring. She couldn’t become the Boss’s Wife.

N-Oodganoo Noonuccal: Indigenous Australian Poet.

All One Race – Oodgeroo Noonuccal

Black tribe, yellow tribe, red, white or brown,
From where the sun jumps up to where it goes down,
Herrs and pukka-sahibs, demoiselles and squaws,
All one family, so why make wars?
They’re not interested in brumby runs,
We don’t hanker after Midnight Suns;
I’m for all humankind, not colour gibes;
I’m international, and never mind tribes.

Black, white or brown race, yellow race or red,
From the torrid equator to the ice-fields spread,
Monsieurs and senors, lubras and fraus,
All one family, so why family rows?
We’re not interested in their igloos,
They’re not mad about kangaroos;
I’m international, never mind place;
I’m for humanity, all one race.

Dear Ms Noonuccal,

It’s a real honour to write to you and touch base at long last.

I am currently writing a series of Letters to Dead Poets and although I risk offending your cultural sensitivities, I am wanting to be inclusive. I am hoping that we could share a metaphorical walk and chat together. Talk about what it would take for all Australians to belong.

Oodgeroo-Noonuccal plaque

We need diversity and to celebrate and respect a kaleidoscope of difference and yet still come together as one. Not as one amorphous bunch of clones but as human beings with a dazzling array of colours, shapes, textures all glued together through respect, understanding and acceptance. While this might sound like a utopian dream, we have to have a go. Do our best. If every single one of us makes a small personal change, then collectively this must amount to something monumental. I know when I was growing up we never thought the Berlin wall would come down, and yet it’s gone. We weren’t all just a bunch of dreamers, after all!

Yet, more and more walls need to come down.

More bridges must be built.

Yet, we sit in our brick bunkers with our technology and remotes basking in our own private worlds.

While there’s apathy, there’s also animosity, resentment and an “us” and “them”. The racism you fought so hard against through your political activism and poems:

Racism – Oodgeroo Noonuccal

Stalking the corridors of life,
Black, frustrated minds
Scream for release
From Christian racist moulds.
Moulds that enslave
Black independence.

Take care! White racists!
Black can be racists too.
A violent struggle could erupt
And racists meet their death.

Colour, the gift of nature
To mankind,
Is now the contentions bone,
And black-white hatred sustains itself
on the rotting, putrid flesh
That once was man.

Oodgeroo Noonuccal

Before we go any further, I’d like to apologise for not reading your poetry until recently when my son brought it home from school. At least, I’m fairly sure I never studied your poetry at school or university, despite studying Australian Literature. This means that I’d never read a single poem by an Aboriginal poet until I was 46 years old. That despite growing up memorizing verses of Banjo Paterson’s Man From Snowy River and Dorothea Mackellar’s My Country by heart, I never knew your poems. I’d never read or learnt about your vision for Australia. I don’t need to spell out what that means. That a nation needs to know its own and not just experience one dish but to feast from the full smorgasbord.

Aboriginal Painting 14.6.2010 low res

My son’s poignant Aboriginal Spirit Man Painting Age 8.

It is my hope that by sharing a few of your poems here and just a fraction of your vision, that others will also be spurred on to get to know you better. Find out what you were fighting for and even pick up the baton and carry it forward.

Unfortunately, with writing over 26 letters to dead poets in a month, time restraints prevents me from thoroughly researching each poet and allowing myself to immerse myself in their poetry in the same way I studied the poems of John Keats when I was at school. I am meeting so many incredible poets for the very first time along this journey and while I would usually undertake lengthy, meticulous research before putting pen to paper let alone posting it online, I feel like I’m flying blind. Indeed, flying blind and straight into the flames. I hope I’m not screwing up, making mistakes and getting it wrong. There are people who have studied each of you individually in such depth and detail and in so many ways I’m just skipping over the surface trying to dig in as deep as I can but inevitably having to move onto the next one too soon. At least, I’m honest about it and don’t pretend to know you well.

However, perhaps that’s all I’m meant to do. Light the spark that ultimately gets the fire going.

Municipal Gum

Gumtree in the city street,
Hard bitumen around your feet,
Rather you should be
In the cool world of leafy forest halls
And wild bird calls
Here you seems to me
Like that poor cart-horse
Castrated, broken, a thing wronged,
Strapped and buckled, its hell prolonged,
Whose hung head and listless mien express
Its hopelessness.
Municipal gum, it is dolorous
To see you thus
Set in your black grass of bitumen-
O fellow citizen,
What have they done to us?

Oodgeroo Noonuccal

Getting back to my original question, what do you think it would take for all Australians to feel they belong and how do we expand that to build bridges around the world?

I’m not really expecting you to answer that but perhaps you could nibble around the edges. I hope it’s nothing but a rhetorical question!

Yours sincerely,

Rowena

Further Reading:

https://www.qut.edu.au/about/oodgeroo/oodgeroo-noonuccal

This post is part of a series of Letters to Dead Poets for the Blogging A-Z April Challenge.

Diversity…Flash Fiction.

Mirror! Mirror!

Rosie looked into the mirror, trying to understand her complex features. Blond, blue-eyed yet coffee-toned …there was some hushed story about Grandmother or Great Grandmother coming from India. Mum always insisted that they stay out of the sun. Why? Rosie couldn’t understand. If only she’d been allowed out in the sun, she would’ve had the best tan. Gone black. Even though she was only little, Rosie knew there was some unspoken story.

Now, middle-aged, married with three of her own, she knew. Had no shame. She stood out in that sun until her skin turned black…a proud Arrernte woman.

Rowena Newton

February 17, 2016 prompt: In 99 words (no more, no less) write a story of a character who is diverse. Who is this person? Does this character know, accept or reject being perceived as different? As writers, consider how we break stereotypes. Tell you own story of “otherness” if you feel compelled. Or, select a story of diversity, such as rainbows revealing gold. How is diversity needed? How is your character needed?

Respond by February 23, 2016 to be included in the weekly compilation. Rules are here. All writers are welcome!

Embracing Indigeneous Australians. .

Recently, a landmark speech spoke out about racism towards Indigenous Australians and I wanted to share it with you.This is a long post but I ask you to persevere with it and reflect. It’s not an easy topic to address but not something I could walk away from either.

While I am not an Indigenous Australian myself and haven’t experienced racism, I do know right from wrong and I think all Australians need to revisit how we view our Indigenous Australians and own up to the rampant racism which still grips hold of this country. It’s definitely not just something buried in the past. As a nation, we haven’t even begun to delve into what happened. To acknowledge the wrongs. No wound ever heals unless the infection is treated.

I realise that I’m stepping into a veritable quagmire even raising this issue and am wary in a sense of speaking out about something I know so little very about.

One of the first things you learn about writing is to write about what you know. Yet, I have never experienced racism and I’m not an Indigenous Australian and don’t walk  in their shoes, feet, skin or soul.

However, as a person living with a disability, I have experienced exclusion, discrimination and injustice. Metaphorically speaking, I know what it’s like to be the only kid in the class not to be invited to the party and how that feels. Imagine how you would feel if that same party was being held at your very own house and you still weren’t invited? You don’t need much empathy or compassion to know how that feels. It hurts like a knife cutting through your heart, leaving horrific and permanent scars.

I have experienced that sense of injustice when I go to pick my kids up from school and someone able-bodied without a permit parks in the Disabled Parking spot and when I ask them to move, give me flak. What the?!!

As soon as I read Stan Grant’s Speech, I knew I had to share it. Keep the fire going and even spread the flame. While Australians like to view themselves as the “Lucky Country”, we have quite a chequered history, including the genocide of Tasmanian Aboriginals. Instead of acknowledging our own crimes, we point the finger overseas: at the Germans over Nazi atrocities, at the South Africans over apartheid and Americans for their guns.

We’re just fine, totally neglecting the log in our own eye.

That as much as we like to paint ourselves as the “lucky country”, we have an appalling record in the treatment of Indigenous Australians. Our track record is too extensive for me to go into here but it’s very, very dark and I’m sure the average Australian over 30 doesn’t have a clue. Moreover, they don’t even consider the long term consequences of what has happened. After all, how would you expect anyone to respond when you take away their land, culture, community and even their children? It creates a sort of living death and who wouldn’t do just about anything to try to numb that pain?!! Wouldn’t you?!!

This week Australia celebrated Australia Day on 26th January while for many Australians, it was a day of sorrow…Invasion Day. Australia Day commemorates the arrival of the First Fleet at Botany Bay in 1788, which was the first European settlement here. I am a bit conflicted about Australia Day these days but we’ve also been flat out getting ready for back to school. So, we had a very low-key Australia Day. Indeed, we went to see Star Wars and by-passed Australia Day until watching the fireworks on TV.

Around Australia Day, I heard about a ground-breaking impromptu  speech by Indigenous Journalist Stan Grant. Referring to the speech, respected Australian journalist Mike Carlton tweeted:

Honestly. I think this Stan Grant speech will one day be viewed as a Martin Luther King moment. via

Here is the transcript of Grant’s speech:

Video

Stan Grant: ‘But every time we are lured into the light, we are mugged by the darkness of this country’s history’, Ethics Centre IQ2 debate – 2015

27 October 2015, City Recital Hall, Sydney, Australia

This speech was delivered in an IQ2 debate with the topic, ‘Racism is destroying the Australian dream’. Also for the affirmative was Pallavi Sinha. For the negative was Jack Thompson and Rita Panahi. The full debate is here

Thank you. Thank you so much for coming along this evening, and I’d also like to extend my respects to my Gadigal brothers and sisters from my people, the Wiradjuri people.

In the winter of 2015, Australia turned to face itself. it looked into its soul and it had to ask this question. Who are we? What sort of a country do we want to be.

And this happened in a place that is most holy, most sacred to Australians. It happened on the sporting field, it happened on the football field. Suddenly the front page was on the back page, it was in the grandstand.

Thousands of voices rose to hound an indigenous man, a man who was told he wasn’t Australian, a man who was told he wasn’t Australian of the Year.

And they hounded that man into submission.

I can’t speak for the what lay in the hearts of the people who booed Adam Goodes. But I can tell you what we heard when we heard those boos.

We heard a sound that is very familiar to us.

We heard a howl.

We heard a howl that of humiliation has echoes across two centuries of dispossession, injustice, suffering and survival.

We heard the howl of the Australian dream, and it said to us again, you’re not welcome.

The Australian dream.

We sing of it, and we recite it in verse.

Australians all let us rejoice for we are young and free.

My people die young in this country, we die ten years younger than average Australians and we are far from free.

We are fewer than three percent of the Australian population and yet we are 25 percent, a quarter of those Australians locked up in our prisons, and if you are a juvenile it is worse, it’s fifty percent. An indigenous child is more likely to be locked up in prison than they are to finish high school.

I love a sunburned country

A land of sweeping plains

Of rugged mountain ranges

It reminds me that my people were killed on those plains, we were shot on those plains, disease ravaged us on those plains. I come from those plains. I come from a people west of the Blue Mountains, the Wiradjuri people, where in the 1820s the soldiers and settlers waged a war of extermination against my people. Yes, a war of extermination! That was the language used at the time, go to the Sydney Gazette, and look it up, and read about it. Martial law was declared, and my people could be shot on sight.

Those rugged mountain ranges, my people, women and children were herded over those ranges to their deaths.

The Australian dream.

The Australian dream is rooted in racism. It is the very foundation of the dream. It is there at the birth of the nation . It is there in terra nullius.  An empty land. A land for the taking.

Sixty thousand years of occupation.

A people who made the first seafaring journey in the history of mankind.

A people of law, a people of lore, a people of music and art and dance and politics, none of it mattered.

Because our rights were extinguished because we were not here according to British law. And when British people looked at us, they saw something subhuman, and if we were human at all, we occupied the lowest rung on civilisation’s ladder.

We were fly blown, stone age savages and that was the language that was used.

Charles Dickens, the great writer of the age, when referring to the noble savage of which we were counted among, said ‘it would be better that they be wiped off the face of the earth’. Captain Arthur Phillip, a man of enlightenment, a man who was instructed to make peace with the so called natives in a matter of years, was sending out raiding parties with instruction ‘bring back the severed heads of the black troublemakers’.

They were smoothing the dying pillow.

My people were rounded up and put on missions, from where, if you escaped. You were hunted down, you were roped and tied and dragged back, and it happened here, it happened on the mission that my grandmother and great grandmother were from, the Warrengesda on the Darling Point of the Murrumbidgee River.

Read about it. It happened.

By 1901 when we became a nation, when we federated the colonies, we were nowhere. We’re not in the Constitution, save for ‘Race Provisions’ — which allowed for laws to be made that would take our children, that would invade our privacy, that would tell us who we could marry and tell us where we could live.

The Australian dream.

By 1963, the year of my birth, the dispossession was continuing. Police came at gunpoint under cover of darkness to Mapoon an aboriginal community in Queensland, and they ordered people from their homes, and they burned those homes to the ground, and they gave the land to a bauxite mining company. And today those people remember that as ‘The Night of the Burning’.

In 1963 when I was born, I was counted amongst the flora and fauna, not among the citizens of this country.

Now you will hear things tonight, you will hear people say, ‘but you’ve done well!’

Yes I have, and I’m proud of it, and why have I done well?

I’ve done well because of who came before me.

I’ve done well because of my father, who lost the tips off three fingers working in saw mills to put food on our table, because he was denied an education.

My grandfather, who served to fight wars for this country when he was not yet a citizen and came back to a segregated land where he couldn’t even share a drink with his digger mates in the pub because he was black.

My great grandfather who was jailed for speaking his language to his grandson – my father – jailed for it!

My grandfather on my mother’s side who married a white woman who reached out to Australia, lived on the fringes of town, until the police came, put a gun to his head, bulldozed his tin humpy, and ran over over the graves of the three children he’d buried there.

That’s the Australian dream. I have succeeded in spite of the Australian dream, not because of it; and I have succeeded because of those people.

You might hear tonight, ‘but you have white blood in you.’ And if the white blood in me was here tonight, my grandmother, she would  tell you of how she was turned away from a hospital giving birth to her first child because she was giving birth to the child of a black person.

The Australian dream. We’re better than this.

I’ve have seen the worst of the world as a reporter. I’ve spent a decade in war zones, from Iraq to Afghanistan, and Pakistan. We are an extraordinary country, we are in so many respects the envy of the world. If I were sitting here, where my friends are tonight (gestures to opponents] I would be arguing passionately for this country.

But I stand here with my ancestors, and the view looks very different from where I stand.

The Australian dream.

We have our heroes.

Albert Namatjira painted the soul of this nation.

Vincent Lingiari put his hand out for Gough Whitlam to pour the sand of his country through his fingers, and say ‘this is my country’.

Cathy Freeman lit the torch for the Olympic Games.

But every time we are lured into the light, we are mugged by the darkness of this country’s history.

Of course racism is killing the Australian dream! It is self evident that it is killing the Australian dream.

But we are better than that.

The people who stood up and supported Adam Goodes and said, ‘no more’, they are better than that.

The people who marched across the bridge for reconciliation, they are better than that.

The people who supported Kevin Rudd when he said sorry to the Stolen Generations, they are better than that.

My children and their non indigenous friends are better than that.

My wife who is non indigenous is better than that.

And one day I want to stand here, and be able to say as proudly and sing as loudly as anyone in this room, Australians all let us rejoice.

Thanks you.

Source: https://www.youtube.com/watch?v=uEOssW1rw0…

For those of you who have taken the time to listen, much appreciated. I have pasted a link below to some further interviews with Aboriginal Australians about their reactions to Stan Grant’s speech. Also, if you are not aware of the racist bullying Adam Goodes experienced on the football field, here’s a link: Racist Attacks on Aboriginal Footballer, Adam Goodes

Best wishes and much love,

Rowena

Further reading:

http://www.ethics.org.au/on-ethics/blog/january-2016/stan-grant%E2%80%99s-speech-broke-your-heart-%E2%80%93-here%E2%80%99s-what

Racist Attacks on Adam Goodes: The Tip of a Very Ugly Iceberg?

During the last week, what I hope is most Australians, have been rocked by ongoing racist remarks leveled at Adam Goodes, a much loved and honored Indigenous Aussie Rules (AFL) footballer and who was also named Australian of the Year 2014.

Many have come out strongly supporting Goodes, including setting up the hashtag #IStandWithAdam.

However, there are still some pretty vocal critics.

Adam Goodes (born 8 January 1980) is a professional Australian rules football player with the Sydney Swans in the Australian Football League (AFL). Goodes holds an elite place in VFL/AFL history as a dual Brownlow Medalist, dual premiership player, four-time All-Australian, member of the Indigenous Team of the Century and representing Australia in the International Rules Series. In addition, he currently holds the record for the most games played for an Indigenous player, surpassing Andrew McLeod’s record of 340 games during the 2014 AFL season.

I don’t know whether this story has made international headlines but it has reignited race debate here and personally, I think it’s about time racism made the front page and wasn’t hidden in the small print. Whether you believe that booing at Adam Goodes was racist or not, that doesn’t deny that our Indigenous Australians as a whole, cop what is often vile racist abuse. That what happens at a football match is just the tip of a very ugly iceberg. That there is endemic discrimination against Aboriginal people here and it has to stop!

Adam Goodes, Australian of the Year 2014

Adam Goodes, Australian of the Year 2014

Moreover, you don’t have to be an Indigenous Australian to see this. You just need two eyes, two ears and a heart…values. Even the smallest child has probably heard of the Golden Rule: Treat others as you would like to be treated and that certainly doesn’t include calling anyone an “ape” or saying they “belong in the zoo.”!!

These racial taunts have been leveled at Adam Goodes from the crowd at games and it is nothing short of a disgrace!

I am not going to address the details here as you just need to do a quick Google search to get the run down.

However, here are a few links:

http://www.smh.com.au/national/in-a-dark-place-adam-goodes-the-nation-and-the-race-question-20150731-giolfa.html

http://www.theguardian.com/sport/2015/aug/01/noel-pearson-on-adam-goodes-booing-australia-is-looking-into-the-abyss-of-despair

The story started out back in 2013 when a 13 year old girl at a Swans match called Goodes “an ape” from the stands. Goodes confronted the girl and she was removed from the stadium and interviewed by Police. Goodes didn’t want her charged and she later apologised to Goodes and made amends. However, there are still rumblings from the sidelines about this. That Goodes was unfair to expose and out her and whether a 13 year old knows what is racist. This has taken the issue way beyond Goodes and the girl concerned and has launched a wider debate. Not so much saying that the girl should be charged but that Goodes made the wrong call.

Since then, there have been other racial taunts directed at Goodes as well as a lot of booing from the crowd.

On the way to see Swans vs West Coast Eagles at ANZ Stadium in 2009. Mister played on the field with his team at half-time as part of the junior Auskick program.

On the way to see Swans vs West Coast Eagles at ANZ Stadium in 2009. Mister played on the field with his team at half-time as part of the junior Auskick program.

I’ve been to a number of AFL matches and am a Sydney Swans supporter myself. I’ve heard that kind of booing at matches and know how a crowd can get carried away, However, even then it struck me as poor sportsmanship and this booing at Goodes falls into another category altogether. Even if it wasn’t intended to be racist in the past, now that it is being perceived that way, that’s what it means. It needs to stop!!

Somewhat friendly banter between opposing supporters at the Swans vs Essenden match July 2007: my husband and I!

Somewhat friendly banter between opposing supporters at the Swans vs Essenden match July 2007: my husband and I!

What I also find quite intriguing is how people talk about this girl being an “innocent 13 year old”. That she didn’t understand what she was saying. What it meant to call anyone a “ape”, even if she didn’t understand what that reference means to Aboriginal people in particular.

As far as I’m concerned, she knew exactly what she was saying. You and I both know that if anyone called a kid in the playground a ape, at the very least, they’d be labeled a bully…not an innocent. So what’s the difference here? Just because Goodes is older than her, that doesn’t give her the right to be racist!

Just to emphasise this point, while I’ve been working on this post, my daughter approached me and said: “How could she not know that calling someone an ape is racist?” Miss is only 9 and she knows!

My kids are incredibly proud of our Indigenous people and actually thought they were Aboriginal. You see, my aunt’s partner is Aboriginal and they simply know him as “Uncle Darryl”. Darryl’s children are my step-cousins and while we don’t see them often as we live on opposite sides of the country, the kids really became attached to Uncle Darryl and believed they were Aboriginal. Even when I tried to explain to them that we were related to my aunt, it simply didn’t sink in. They couldn’t grasp genetics and all of these scientific explanations. Darryl was their uncle. He is Aboriginal. They were Aboriginal. There was such beauty and love in this. One day my daughter finally asked me: “So we don’t have any Aboriginal blood? Not even a drop?” Both kids are very disappointed!

I don’t just attribute this pride to our family situation. Rather, our school has built close ties with the local Mingaletta People and they learn Aboriginal painting and stories at school. Indeed, Aboriginality is truly celebrated at our school and not just given lip service either! It is interwoven in so much of what we do.

A few weeks ago, my son even attended a didgeridoo playing session at Mingaletta with his friend from school and I know that moved him deeply inside. It was a spiritual experience for him.

A few weeks ago while we were catching the train, he also told me that he would be proud to be Aboriginal.

These weren’t things my kids have said or done to be politically correct. Their love and respect for Aboriginal people just flows from the heart as a mark of respect, love and I some sort of connection which defies explanation but I do hope that this is something which will nurture and grow.

My kids, imperfect as they are, show what is possible not only through education but through knowing Aboriginal people in our family, at school and in the community and also being taught over and over again that we are all equal regardless of race,gender,disability or class.

My question and what I see as the ultimate challenge, is how do we reach adults who espouse racism and the like in our community?

Quite frankly, we all need to periodically scrub our brains out with soap and clean out the crap. Acknowledge our own bigoted biases and change the way we think. This doesn’t just relate to racism but also just to plain snobbery. Thinking that you’re better than someone else just because of where you live, what you drive and where your children go to school NOT who you are on the inside and your own actions. We don’t need to knock other people down to build ourselves up.

“You never really understand a person until you consider things from his point of view… Until you climb inside of his skin and walk around in it.”
― Harper Lee, To Kill a Mockingbird

So along with the rest of my family, we step out firmly supporting Adam Goodes. More than that. We cheer him on for taking a stand against racism and also for all he has done to encourage, develop and support Indigenous Australians while promoting greater acceptance, understanding and connection among all Australians…and all peoples!

respect

It is a noble cause which echoes the words and deeds of many of the world’s greats but the words of Martin Luther King particularly come to mind:

“I have a dream that one day right there in Alabama little black boys and little black girls will be able to join hands with little white boys and white girls as sisters and brothers.”

Martin Luther King, Jr.

xx Rowena

You can read here how fans have come out in force to support Adam Goodes: http://www.abc.net.au/news/2015-08-02/sporting-stars-and-fans-support-adam-goodes/6665834